Tere Naina Song Lyrics

 

Tere Naina Song Lyrics Song Info

Watch the beautiful lyric video of \”Tere Naina\” from the movie \”My Name is Khan\” featuring Shahrukh Khan and Kajol. Sung by Shafqat Amanat Ali and composed by the incredible trio Shankar-Ehsaan-Loy, this song is a soul-stirring melody that captures the essence of love and emotion. Dive into the enchanting lyrics penned by Niranjan Iyengar and relive the magic of this timeless classic.

Tere Naina Song Lyrics Credits

Tere Naina Song Hindi Lyrics :

Tere Naina Song English Lyrics :

 

Extra Inforamation:

About My Name is Khan Movie:

Indian Muslim Rizwan Khan was raised in a middle-class household in Borivali, Mumbai, alongside his younger brother Zakir and his widowed mother Razia. Because of his autism, he receives extra attention from his mother and special tutoring from a reclusive scholar. This makes Zakir more envious, and he finally leaves his home to live in San Francisco. In spite of this, Zakir pays Rizwan to move in with him following the passing of their mother. After receiving an Asperger syndrome diagnosis from Zakir’s wife Hasina, Rizwan starts working for Zakir’s business, selling cosmetics to salons.

He meets and falls for Mandira Rathod, a Hindu woman who works as a hairdresser and has a little boy named Sameer from a previous marriage. In spite of Despite Zakir’s doubts, Rizwan and Mandira marry and relocate to Banville, where Mandira and Sam adopt Rizwan’s last name. Additionally, they share a residence with the Garrick family, whose father, Mark Garrick, works as a journalist and whose small son, Reese, is closest friends with Sam.

After the September 11 attacks a few years later, the Khans’ lives are upended. Mark dies while covering the war in Afghanistan. Simultaneously, the Khans start to encounter prejudice following 9/11, and Reese starts to avoid Sam until turning against him once his father is slain. Sam then makes an effort to make amends with Reese, but one day their argument escalates into a brawl at their neighborhood soccer field, where a Reese begs the gang of older students to stop attacking Sam, but they do not. One of them kills Sam by rupturing his spleen with a football kick.

A distraught Mandira begins to accuse Rizwan, saying that Rizwan’s last name was the only reason Sam died. She implies that their marriage is finished when she advises Rizwan to “just go” since she never wants to see him again. Mandira cynically responds that he might as well return after informing the President of the United States and all of America that his name is Khan and that he is not a terrorist when Rizwan inquires as to when he can return.

Following his campaign, Rizwan takes her request seriously and sets out on a road trip to visit President George W. Bush fundraising trail. Rizwan makes a living doing odd chores and repairs while hitchhiking across the nation. He passes through the imaginary Georgian small town of Wilhemina on his way. After helping a youngster named Joel recover from a bike accident, he makes friends with him there and gains the respect of his mother, Jenny, whom Rizwan refers to as “Mama Jenny.”

Later, Rizwan goes into a Los Angeles mosque to pray just before the president is scheduled to speak. While there, he hears a doctor named Faisal Rehman using aggressive speech while referencing the Hadith and encouraging his followers to use violence. Standing up, Rizwan vehemently contradicts Faisal’s claims, startling the audience and igniting discussion. Without hesitation, he leaves and notifies the FBI about Rehman.

Then, at UCLA, Rizwan walks to the front of the throng to see President Bush, who yells, “My name is Khan and I am not a terrorist!” several times. The mob scatters in fear as the yell confounds and frightens them. He is detained and questioned for information about Al-Queda, which Rizwan foolishly wished he knew more about, after being arrested on suspicion of being a terrorist. After an effort by Indian student reporters Raj and Komal, who locate a journalist named Bobby Ahuja to cover their story, he is freed. Bobby Ahuja demonstrates Rizwan’s innocence with the aid of the students by disclosing his efforts to alert the FBI about Faisal.

Once he was free, Rizwan hears the news that a hurricane has hit Wilhelmina. He gets international notoriety for his bravery when he goes to Georgia to aid Mama Jenny, Joel, and the completely flooded and wrecked town. After weeks of tiny towns receiving hurricane recovery aid after Rizwan, Reese eventually tells Mandira that he knows what happened to Sam and identifies the boys who killed him after watching Rizwan on TV. The lads, including Reese, are taken into custody after Mandira notifies Detective Garcia, who has been helping her with the case.

In Wilhelmina, Georgia, Mandira and Rizwan get back together. However, one of Faisal Rehman’s supporters stabs Rizwan just as she gets there, accusing him of betraying Islam. is in the hospital. After surviving, Rizwan encounters Barack Obama, the president-elect, who assures him, “Your name is Khan and you are not a terrorist.” In response, Rizwan adds that his son Sameer was not a terrorist either; he also delivers a mocking message that he had promised to deliver.

About Shafqat Amanat Ali :

Born on February 26, 1965, Shafqat Amanat Ali Khan PP (Urdu: شفقت امانت علʌ خان; pronounced [ˈʃəfkət əˈmaːnət əˈliː xaːn]) is a Pakistani pop and classical singer, lyricist, and composer who is a member of the Patiala Gharana music tradition. Up until 2006, he served as the lead vocalist for the Pakistani pop rock group Fuzön. and is a well-known playback singer in Pakistani television and Indian cinema. The renowned classical performer Ustad Amanat Ali Khan’s youngest son  At the age of four, Ali began learning music from his uncle, Ustad Bade Fateh Ali Khan, who was considered by many to be the leading representative of Hindustani classical music in Pakistan.

Ali became well-known in Pakistan and India thanks to the lead track “Aankhon Ke Saagar” and the song “Khamaj” (sometimes called “Mora Saiyaan”) from Saagar (2002), Fuzön’s debut album. Ali’s songs “Mitwa” (from the movie Kabhi Alvida Naa Kehna) and “Yeh Honsla” (from the movie Dor) helped him gain breakthrough success in Bollywood in 2006. Both songs helped Ali swiftly establish himself as a playback singer in the Indian cinema business and brought him considerable economic and critical success.

Since his Bollywood debut with “Mitwa,” Ali has performed extensively on Bollywood film soundtracks. Some of his most well-known Hindi film songs are “Bin Tere” (I Hate Luv Stories), “Kyun Main Jaagoon” (Patiala House), “Dildaara” (Ra.One), “Phir Le Aya Dil” (Barfi!), “Tu Hi Mera” (Jannat 2), and “Darmiyaan” (Jodi Breakers).

Ali is renowned for his In addition to performing original music written for Coke Studio and adapted versions of his own songs, he has teamed with Rohail Hyatt and Strings in a number of live performances at Coke Studio Pakistan. Both India and Pakistan praised his three solo albums, Tabeer (2008), Kyun Dooriyan (2010), and Muh Dikhai (2015). A number of Ali’s compositions contain mystical themes and allusions to Sufi beliefs, and he is especially well-known for his Sufi singing style. He and Shankar Mahadevan were judges and coaches on Zed TV’s Asia’s Singing Superstar from 2015 to 2016.

On March 23, 2008, Ali received the Presidential Pride of Performance, Pakistan’s highest national literary honor, in recognition of his artistic efforts .

He is the sixth member of his family to be honored. He was listed as one of the 100 Most Influential People in Asia/UK/EU by the New York Press News Agency in July 2020. Ali’s alma mater, Government College University in Lahore, presented him with the Lifetime Achievement Honor on March 21, 2023. In 2022 and 2023, Spotify revealed data showing that Ali is one of the most played Pakistani artists worldwide. The Arts Council of Pakistan Karachi presented Ali with the Lifetime Achievement Award on January 27, 2024.

Early years and upbringing
Famous classical vocalist Ustad Amanat Ali Khan[9][10] and his wife Almas Amanat Ali Khan welcomed Shafqat Amanat Ali into their Punjabi Muslim family in Lahore, Pakistan, on 26 February 1965, making him the seventh generation of the Patiala Gharana, established by his great-grandfather, Ali Baksh ‘Jarnail’ Khan, in the mid-late 19th century. He is the youngest brother of well-known vocalist Asad Amanat Ali Khan, one of seven siblings , the nephew of Ustad Bade Fateh Ali Khan and Ustad Hamid Ali Khan, two well-known exponents of Patiala Gharana, and Influences and training in music

Ali, who was raised in a traditional vocal gharana, has stated that music was his “only calling in life” and that he always intended to pursue a career in singing in order to continue his family’s musical tradition. At the age of four, Ali started taking classical music lessons , and . He has said that he “never had to look outside [the] family for musical influences. He cites his grandfather, Ustad Akhtar Hussain, as his guru and views his grandmother as his first teacher.

He recalls that his earliest memory is of his grandfather teaching him a composition when he was three years old. “The discipline she instilled in me and the way in which she passed on anecdotes of ragas led me to an understanding of each bandish,” Ali recounts, referring to his early instruction with his grandmother. Ali has claimed to have studied music from his brothers, sisters, and aunts in addition to his uncle, Ustad Bade Fateh Ali Khan, who provided the majority of his instruction .

Although Ali lost his father when he was just nine years old, he still views him as his biggest source of inspiration and influence in his artistic and crafty endeavors. procedure. Speaking of his father, he disclosed in an interview: “I’ve always aspired to be like him, sing like him, and look like him. I get my inspiration from him.

If someone remarks that I sound like him, I take that as a complement. Additionally, Ali revealed that his older brother, Asad Amanat Ali Khan, is the source of some of his vocal techniques: “I have borrowed a few things from him which I incorporate both in my performances and songwriting.” I’m very pleased when people comment that I sound like both my father and my brother because we both followed in our father’s footsteps.

Ali has talked about how strict his childhood was and how he and his siblings and relatives were forced to should engage in intense training and practice, or riyaz, for a number of hours per day as a youngster  — approximately four training sessions per day, spaced out by two hours. He writes: “Music was a constant in our lives as children, and every elder was able to mentor and reprimand us. When I was younger, the never-ending practice sessions looked dull and tiresome.

Every detail had to be repeatedly practiced until we could master it to our elders’ standards. They would then give us instructions to continue practicing. One’s legs would ache from the practice, which required sitting cross-legged on the floor. Although it was physically and emotionally taxing, in retrospect, this was a minor cost for reaching perfection in our artistic endeavors.”

“We were continuously given feedback on our singing…which continued for seven to eight hours per day or basically anytime we were not in school,” Ali said in a another interview. Every member of the family was familiar with music, so if someone happened to walk by and heard me performing riyaz, they would correct me if I was making a mistake or trying something challenging.”

Growing up in a family of well-known singers and musicians helped Ali learn music and improve his vocal abilities, but it also brought with it a lot of expectations and pressures, as Ali has stated: “Being from Patiala Gharana is not easy.” There is a lot of pressure to live up to the high expectations that people have of you.

Ali had a love of music from an early age and was drawn to Sufi music because of its focus on spirituality, humanism, tolerance, and peace. As a child, he remembers going to and spending time in several dargahs and being mesmerized by the Sufi practitioners’ singing of qawwali and other devotional music. According to Ali, these early encounters with Sufi philosophy and expression influenced his subsequent musical style.

In a number of interviews, Ali has stated that he admires Bade Ghulam Ali Khan, Pandit Jasraj, Ravi Shankar, Manna Dey, S. D. Burman, R. D. Burman, and Roshan Ara Begum . He also names his favorite playback singers as Kishore Kumar, Mohammed Rafi, Lata Mangeshkar, and Asha Bhonsle.

Ali’s education characterizes himself as an average student who attended Lahore’s Sacred Heart High School and Rang Mahal Mission High School . In 1988, he graduated from Government College University in Lahore with a bachelor’s degree . While in high school, he participated in music competitions on a regular basis , and while attending college, he performed frequently at music festivals and events in Lahore and elsewhere , rapidly making a name for himself in the local music scene.

According to Ali, his undergraduate years spent listening to artists like Michael Jackson, Pink Floyd, The Doors, and The Beatles had a particularly significant influence on him. It taught him how to analyze rhythm, look for commonalities across different musical genres, and combine them. According to him, “listening to these different sounds had a sense of adventure” and “when I would When I heard these western tunes, I would frequently alap over them and add classical improvisations to them. In addition to being the college color-holder in music, Ali was the first member of his family to attend college  and graduated from the Music Society of Government College University with honors .

Career 2001–2004: Starting off, Fuzön, and becoming well-known
Ali taught music in high schools in Lahore for a short time after graduating from college. He then relocated to Karachi, Pakistan, where he collaborated with a number of producers, songwriters, and music arrangers to launch his debut album. He characterizes this stage of his life as difficult and recalls spending many nights in vocal booths and in the recording studio lobby areas. The record label he had been working with eventually failed to release his first album due to a number of problems.

In an interview, he recalled, “I cannot forget my days of struggle in Karachi, I did everything that came my way, right from singing jingles to voiceovers and every other odd job related to singing.” He continued to work on his own music while also singing a lot of jingles for TV commercials during this time. As a poor musician at this point in his career, Ali remembers being appreciative of his older brother Asad’s assistance.

During this period, Ali got to know his future bandmates, and they eventually formed Fuzön, a pop-rock group, in 2001. According to Ali, the band’s name was a tribute to their own style of music, which “fused” elements of Sufi, Pakistani folk, and traditional Hindustani classical music with contemporary pop rock. First to be written and recorded for their debut album Saagar (2002, Empire Music and Virgin Records), was “Aankhon Ke Saagar”.

“Khamaj” (“Mora Saiyaan”) followed, and both songs became huge hits in Pakistan and neighboring India. The soundtrack of Hyderabad Blues 2, directed by Nagesh Kukunoor and released in 2004, included the songs “Khamaj (Mora Saiyaan)” and “Teray Bina” from Saagar. Additionally, Saagar created history by becoming the first band to release a studio album simultaneously in both India and Pakistan.

About Shankar Ehsaan Loy :

Ehsaan Noorani, Loy Mendonsa, and Shankar Mahadevan make up the Indian musical trio Shankar–Ehsaan–Loy (pronounced ⓘ). They have written music in five languages—Hindi, Tamil, Telugu, Marathi, and English—for more than fifty soundtracks. The three, who are among the most highly regarded Indian musicians, have received multiple honors, such as the IIFA, Filmfare, and National Film Awards .

They are frequently referred to as the Hindi cinema music industry’s “Amar Akbar Anthony” (AAA). Dil Chahta Hai (2001), Kal Ho Naa Ho (2003), Kabhi Alvida Naa Kehna (2006), My Name Is Khan (2010), Zindagi Na Milegi Dobara (2011), and Dil Dhadakne Do (2015) are among their well-known compositions.

Participants: Shankar Mahadevan
Shankar Mahadevan is the main article.
The trio’s lead singer, Shankar Mahadevan, was born was raised in a Tamil family from Kerala in the Mumbai district of Chembur . He began playing the veena at the age of five and studied Carnatic and Hindustani classical music during his early years. He received instruction from well-known Marathi music composer Shrinivas Khale.

He worked as a software developer on Oracle Version Six after earning a degree in Software Engineering from Ramrao Adik Institute of Technology in Navi Mumbai in 1988, which was administered by Mumbai University. Shankar briefly worked for Leading Edge Systems before pursuing a career in music.

Working with A. R. Rahman, he received his first accolade as a playback vocalist in a Tamil film, garnering a National Film Award for his song in Kandukondain Kandukondain. A well-known figure in Tamil cinema, he became even more well-known after his debut music album, Breathless, was released in 1998. He received the Padma Shri Award in 2019 in recognition of his work in film music. Shivam Mahadevan and Siddharth Mahadevan, his two sons, are also vocalists.

Shankar-Ehsaan-Loy’s guitarist is Ehsaan Noorani. From an early age, he learned music with Bismarck Rodrigues. Ehsaan played a key role in two local bands in Mumbai, Pegasus and Crosswinds, before moving overseas to pursue additional music studies at GIT (Los Angeles). When Ehsaan returned to Mumbai, he was in high demand for his jingle-writing abilities and worked for all of the leading composers of the moment. It wasn’t until Magic Box Productions asked him to write the jingle for Sona Spices that Ehsaan started working as a freelance jingle composer in India.

When Mukul S. Anand invited Ehsaan to write the music for his movie Dus, he asked Shankar and Loy to collaborate with him. Due to the director’s passing, Dus never saw the big screen.

One of the biggest and most well-known guitar makers in the world, Fender, has a signature line called “The Ehsaan Noorani Fender Squier.” Ehsaan is the only Indian musician to endorse this line.

Played by Loy Mendonsa, the plays the harmonica, bass guitar, and piano. She is also learning to play the trumpet. Siddharth Basu gave Loy his first opportunity as a brilliant music teacher at a school in New Delhi when he asked him to compose the music for the Quiz Time show. After that, Loy wrote the title music for the Shahrukh Khan TV series Fauji and The World This Week. After relocating to Bombay, Loy met Ehsaan in 1989, and the two of them wrote a number of jingles for advertisements. Playback vocalist Alyssa Mendonsa, his daughter, has contributed her voice to their tunes.

Formation of History (1985–96)

At Idea Rocks India in Bangalore, Shankar-Ehsaan-Loy (6 April 2012)
Loy, Ehsaan, and Shankar rose from the non-film industry music scene, playing pop, jazz, blues, and rock before going into the movie music business. Software engineer Shankar Mahadevan studied Western, Hindustani, and Carnatic classical music while working on Oracle Version Six. Vahinichi Maya, a Marathi film from 1985, was his first feature. He wrote Breathless and is a well-known playback vocalist with hits like Pukar, Sapnay, and Biwi No. 1.

At the Musicians’ Institute in Los Angeles, Ehsaan Noorani studied music and collaborated with artists such as Louis Banks, Ronnie Desai, Laxmikant-Pyarelal, and Kalyanji-Anandji. Like Loy, he was a member of a blues-and-acid jazz combo, wrote the song “Alien Desire,” and performed a number of jingles. In addition to receiving training in Western classical music, Loy Mendonsa also studied the fundamentals of Indian classical music.

He played in a number of shows and group bands (Jesus Christ Superstar, Godspell, West Side Story) and written catchphrases and catchphrases (Fauji, The World This Week).

Before the union, Loy was in Delhi and Ehsaan was performing jingles. At the time, Loy was a television writer. His first job was Quiz Time, and his first break came from Siddharth Basu. He then performed The World This Week by Prannoy Roy. He also performed in Shahrukh Khan’s Fauji and a few other productions. Shankar has performed numerous well-known songs for Loy, who had also worked with A. R. Rahman as a keyboardist.

Ehsaan first met Loy in 1989 while she was employed by ad film composer Ranjit Barot. From that point on, they collaborated to create a number of ad jingles. Afterwards, Ehsaan and Loy got to know Shankar when Ranjit Barot asked him to perform in the Mukul Anand-directed Pepsi commercial. Since then, they have been writing together for advertisements.

Early years (1997–2001):

Mukul Anand’s film Dus was to mark Shankar–Ehsaan–Loy’s composing debut. Director Anand requested that Shankar and Loy collaborate with him, even though he wanted Ehsaan to write the film’s music. After Anand’s passing, the record was released later in 1999, but the movie remained unfinished. They had written the music for a few movies after Dus, including Rockford and Bhopal Express, but none of them received any recognition. Mission Kashmir, a musical directed by Vidhu Vinod Chopra, marked their debut in mainstream film.

 

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