Naam Goom Jayega Song Lyrics :

Naam Gum Jayega Lyrics in Hindi, sung by Lata Mangeshkar & Bhupinder from the movie Kinara (1977). This song is written by Gulzar and composed by R. D. Burman. Starring Jeetendra and Hema Malini.

 

Naam Goom Jayega Song Hindi Lyrics :

 

नाम गुम हो जायेगा

चेहरा ये बदल जाएगा

मेरी आवाज ही पहचान है

गर याद रहे..(X2)

वक़्त के सितम कम नहीं

आज है यहां कल नहीं

वक्त से भरे अगर मिल गये कहीं

मेरी आवाज ही पहचान है

गर याद रहे

नाम गुम हो जायेगा

चेहरा ये बदल जाएगा

मेरी आवाज ही पहचान है

गर याद रहे

जो गुजर गई कल की बात थी

उमर तो नहीं एक आस थी

रात का सिला अगर फिर मिले कहीं

मेरी आवाज ही पहचान है

गर याद रहे

हू नाम गम जाएगा

चेहरा ये बदल जाएगा

मेरी आवाज ही पहचान है

गर याद रहे

दिन ढले जहां रात पास हो

जिंदगी की राह ऊंची कर चलो

याद आये गर कभी जी उदास हो

मेरी आवाज ही पहचान है

गर याद रहे

हू नाम गम जाएगा

चेहरा ये बदल जाएगा

मेरी आवाज ही पहचान है

गर याद रहे.

Naam Goom Jayega Song English Lyrics :

 

Naam gum jaayegaa

Chehara ye badal jayegaa

Meri aavaaz hi pahachaan hai

Gar yaad rahe..(X2)

Vaqt ke sitam kam hasi nahi

Aaj hai yahaan kal kahi nahi

Vaqt se bhare agar mil gaye kahi

Meri aavaaz hi pahachaan hai

Gar yaad rahe

Naam gum jaayegaa

Chehara ye badal jayegaa

Meri aavaaz hi pahachaan hai

Gar yaad rahe

Jo guzar gai kal ki baat thi

Umr to nahi ek aas thi

Raat kaa silaa agar phir mile kahi

Meri aavaaz hi pahachaan hai

Gar yaad rahe

Hoo naam gum jaayegaa

Chehara ye badal jayegaa

Meri aavaaz hi pahachaan hai

Gar yaad rahe

Din dhale jahaan raat paas ho

Zindagi ki raah unchi kar chalo

Yaad aaye gar kabhi ji udaas ho

Meri aavaaz hi pahachaan hai

Gar yaad rahe

Hoo naam gum jaayegaa

Chehara ye badal jayegaa

Meri aavaaz hi pahachaan hai

Gar yaad rahe.

 

Extra Information :

About Kinara (1976) :

Inder is a prosperous individual who collaborates with his uncle as an architect. The well-known dancer Aarti Sanyal is admired by his uncle. After Inder loses a game of snooker against his uncle, the latter invites him to attend Aarti Sanyal’s concert. Inder has an almost tragic accident on the way to the performance.

His uncle advises him to visit Mandu one day to take in the city’s stunning architecture. There, he meets a woman who turns out to be the well-known dancer Aarti Sanyal. When she informs him she hasn’t danced in six months, her grandfather explains that she stopped because of something that really rocked her life.

They soon develop a closer friendship, and she tells him about Chandan, her true love, who affectionately calls her Tikoo. Her one and only goal is to have Chandan’s historical novel published. She informs him that while traveling to her concert six months prior, Chandan perished in a vehicle accident. This news surprises Inder, who asks her where the accident happened.

He understands that the individual in the incoming car died as a result of his collision. He calls his uncle, furious, and demands to know why this information was not given to him. Aarti sobs as he stays in Mandu longer, recalling her history. When Inder can take it no more, he informs her that he was there at the accident involving Chandan had died, her lover.

She starts to feel upset. She tries to get Chandan’s book out of his hand while claiming she doesn’t require his sympathy. She stumbles and gets hurt while falling down the steps while attempting to get the book. When he approaches her in the early hours of the morning, her grandfather informs him that she detests simply hearing his name.

When he gets back to his house, his uncle gives him the advice to leave her alone, if only out of compassion for her. However, he ought to make an effort to win her over if he has fallen in love. Inder tells his uncle that he went to her grandfather’s house in Mandu, which is the address listed in the hotel register, but nobody was there.

In order to find out if any women have arrived for treatment, his uncle urges his secretary to contact clinics. At last, they locate Aarti’s clinic. Inder travels to the location of her eye operation. When the doctor takes off the eye patch, Aarti’s vision disappears. Inder asks her mother if it’s Inder during their conversation. Telling her it’s his friend Prakash, the doctor lies.

As Prakash, Inder helps her by visiting her house on a daily basis. He helps her get back her dance talents and takes her to church to pray. He plans the performance of the presentation and helps her when she dances.

She attempts to publish Chandan’s book with the money she received from the event. When she finds the book empty, she gives it to the publisher. She is informed by the publisher that the book she sent him is empty. After she returns home, Inder calls to let her know he has a surprise in store for her. Since only Inder was aware of Chandan’s death anniversary and Prakash would not be aware of it, she asks him if the book belongs to Chandan.

He stole everything from her, she informs him. Her eyesight, Chandan, and her one and only goal of getting her book published. She motions for him to go. Aarti discovers after a few days that she is still mired in the past. She and her grandfather attend the same church, where she meets Inder again.

About  Lata Mangeshkar :

Born Hema Mangeshkar, Lata Mangeshkar was an Indian playback singer and sporadic music composer who lived from September 28, 1929, to February 6, 2022. She is regarded as one of the Indian subcontinent’s best and most significant vocalists. One of the things that brought the people of Bangladesh, Nepal, India, and Pakistan together was her voice.

Over the course of an eight-decade career, her contributions to the Indian music industry have earned her honorific titles like “Queen of Melody,” “Nightingale of India,” and “Voice of the Millennium.”

Mangeshkar recorded songs in more than 36 Indian languages, as well as a few other tongues, albeit his native tongues are Marathi, Hindi, Bengali, and Nepali. Throughout her career, she was recognized with numerous awards and distinctions. The Indian government awarded her the Dadasaheb Phalke Award in 1989.

She became just the second vocalist to earn India’s highest civilian honor, the Bharat Ratna, in 2001 in appreciation of her services to the country. The highest civilian honor granted by France was to her in 2007 when she was named an Officer of the National Order of the Legion of Honour.

Three National Film Awards, fifteen Bengal Film Journalists’ Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award, and other honors were bestowed upon her prior to her declining additional ones. She made history in 1974 when she performed at London’s Royal Albert Hall as the first Indian playback vocalist.

Before her sister Asha Bhosle took her place as the most recorded artist in history, she was listed in the Guinness World Records.

On September 28, 1929, Mangeshkar was born into a Brahmin family in Indore, which is now in the Madhya Pradesh region. At the time, Indore was the capital of the princely state of Indore, which was a part of the Central India Agency in British India.

Her father, Deenanath Mangeshkar, was a classical singer and actor in Marathi and Konkani. Ganesh Bhatt Bhikoba (Bhikambhatt) Navathe Hardikar (Abhisheki) was Deenanath’s father. He was a Karhade Brahmin and a priest at the renowned Mangeshi Temple in Goa. Yesubai, the mother of Deenanath, was the mistress of his father and a member of the Devadasi community in Goa,

a matrilineal group of temple artists that is today known as the Gomantak Maratha Samaj. Indeed, Yesubai was a well-known musician and a Devadasi. Hardikar was the last name of Deenanath’s father: 47–48 Based on the name of his ancestral village, Mangeshi in Goa, Deenanath adopted the surname Mangeshkar.

Her mother was a Gujarati woman from Thalner, Bombay Presidency (now in northwest Maharashtra), who went by the name Shudhamati later on. Shevanti was Deenanath’s second wife; Shevanti’s elder sister, Narmada, had been his first wife and had passed away before their marriage. Seth Haridas Ramdas Lad, her maternal grandfather, was a successful trader and landowner of Thalner from Gujarat.

Her maternal grandmother taught her Gujarati folk tunes like “Garbas of Pavagadh.”Lata was given the name “Hema” at birth. Later on, in honor of the female character Latika from one of her father’s plays, her parents nicknamed her Lata.

Lata was given the name “Hema” at birth. Later on, in honor of the female character Latika from one of her father’s plays, her parents nicknamed her Lata.She was the family’s eldest kid. Her siblings are Meena, Asha, Usha, and Hridaynath, in that order of birth; they are all talented singers and musicians.

Her father gave her her first instruction in music. She began performing in her father’s musical shows (called Sangeet Natak in Marathi) when she was five years old. Mangeshkar left her first day of school because she was not permitted to bring her sister Asha with her.

Mangeshkar’s father passed away from heart disease in 1942, when she was thirteen. They were looked after by Master Vinayak (Vinayak Damodar Karnataki), the proprietor of the Navyug Chitrapat production company and a close friend of the Mangeshkar family. He assisted her in launching her acting and singing careers.

Sadashivrao Nevrekar wrote the song “Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari” for Vasant Joglekar’s Marathi film Kiti Hasaal (1942), but it was not included in the final version. Vinayak provided her a brief role in the 1942 Marathi film Pahili Mangalaa-gaur directed by Navyug Chitrapat. She sung Dada Chandekar’s composition “Natali Chaitraachi Navalaai” in the film.

“Mata Ek Sapoot Ki Duniya Badal De Tu” was her debut Hindi song, and it was recorded for the Marathi film Gajaabhaau (1943). Since the Bollywood industry was just getting started, Mangeshkar had to focus on acting first, which she disliked because it was uncomfortable to be directed by people and the lighting.

When Master Vinayak’s company relocated its headquarters to Mumbai in 1945, she moved there as well. She began studying Hindustani classical music with Bhindibazaar Gharana’s Ustad Aman Ali Khan. She performed the song “Paa Lagoon Kar Jori” for Datta Davjekar’s 1946 Hindi film Aap Ki Seva Mein, directed by Vasant Joglekar. The dancer in the movie, Rohini Bhate, went on to become a well-known classical dancer.

About  Bhupendra Singh :

Bhupinder Singh, who was born Bhupinder Soin and lived from 6 February 1940 to 18 July 2022, was an Indian musician who performed Bollywood playback vocals and ghazals.Natha Singhji, a musician who introduced Bhupinder Singh to music, gave birth to him in Amritsar, Punjab. At one point, Bhupinder’s father—a strict educator—hatred music and its instruments.

Singh began his career with All India Radio as a stand-in artist, working under Satish Bhatia’s guidance. He was employed with Doordarshan Center in New Delhi as well. He picked up the guitar as well. When Singh was working as a guitarist for Satish Bhatia, the producer of AIR Delhi, at a dinner in 1962, Singh was heard by music director Madan Mohan, who then invited him to Bombay.

In Chetan Anand’s Haqeeqat, he had the chance to sing the song Hoke Majboor Mujhe Usne Bulaya Hoga with Mohammed Rafi, Talat Mahmood, and Manna Dey. In the movie Aakhri Khat, Khayyam gave him a solo. One of the most distinctive voices in playback singing is Singh’s. He has performed in a few well-known duets with Mohammed Rafi and Kishore Kumar.

Following that, Singh began putting out solo albums. His first album, Woh Jo Shair Tha, was released in 1968 and featured three songs that he wrote himself. His second album, a collection of ghazals, was released in 1978 and featured Spanish guitar, bass, and drums. Gulzar wrote the lyrics for his third album, Woh Jo Shair Tha.

He began singing live concerts and CDs with Bangladeshi singer Mitali after getting married in the mid-1980s. He then ceased performing playback. They made a lot of ghazal and geet cassettes together.

His most popular songs are “Dil Dhoondta hai” , “Do diwane shahar mein” , “Naam gum jayega” , “Karoge yaad to” , “Thodi si Zameen Thoda Aasman” , “Meethe bol bole” , “Kabhi kisi ko mukammal” , “Kisi nazar ko tera intezaar aaj bhi” , along with “Ek akela is Shehar Mein” . He sang a rendition of the Rajesh Khanna-starring song Duniya Chute Yaar Na Toote. He became well-known when R. D. Burman had him perform songs like Beete Na Bitaai Raina, Kahiya Kahan Se Aana Hua, Naam Gum Jayega, and Raat Banoo Mein Geet Bano Tum.

About  Gulzar :

Indian Urdu poet, lyricist, author, screenwriter, and film director Gulzar (born Sampooran Singh Kalra; 18 August 1934) is well-known for his contributions to Hindi cinema. He is considered to be among the best poets of this age in Urdu. As a lyricist for the 1963 movie Bandini, he began his career with music director S.D. Burman.

He went on to collaborate with Burman, Salil Chowdhury, Vishal Bhardwaj, and A. R. Rahman, among other music directors. In addition, Gulzar writes screenplays, dialogue, and poetry. He directed TV shows Mirza Ghalib in the 1980s and movies like Aandhi and Mausam in the 1970s. In 1993, he also directed Kirdaar.

In addition to winning 22 Filmfare Awards, an Academy Award, a Grammy Award, and two Best Lyrics, Best Screenplay, Second Best Feature Film (director), and Best Popular Film (director), he has also won five Indian National Film Awards. In addition to the highest prize in Indian cinema, the Dadasaheb Phalke prize,

which he received in 2013, the Padma Bhushan, India’s third-highest civilian honor, and the Sahitya Akademi Award – Hindi in 2002 were also given to him. Gulzar was named the Chancellor of the University of Assam in April 2013. India’s highest literary honor, the Jnanpith, was given to Gulzar in 2024.

In Dina, Jhelum District, British India, Gulzar was born as Sampooran Singh Kalra to Makhan Singh Kalra and Sujan Kaur (present-day Pakistan). He described reading translations of Tagore’s writings at school as one of the many pivotal moments in his life. His family separated during the partition, forcing him to abandon his studies and move to Mumbai (then known as Bombay) in order to support them.

To make ends meet, Sampooran took on a number of menial jobs in Mumbai, including one at a garage at Vichare Motors on Bellasis Road (Mumbai). There, he applied paint to cars that had been damaged in accidents by blending different tones; he claimed to have “a knack for colors.”

He was urged to pursue film roles by Shailendra and Bimal Roy during their conversations with him at the PWA Sunday meetings. Gulzar started his career working with Hrishikesh Mukherjee and Bimal Roy, two film directors. In his novel Ravi Paar, Bimal Roy’s story and the anguish of creation are told. He began working as a lyricist for the 1963 film Bandini, which had a music director.

He discovered a literary milieu in the movies with the people he collaborated with, such as Bimal Roy, whose movies were mostly inspired by books. The rest of the movie’s songwriting credit goes to Shailendra, who asked Gulzar to draft the lyrics for Lata Mangeshkar’s song “Mora Gora Ang Layle”.

Gulzar wrote the dialogue and lyrics for the 1968 film Aashirwad, which was directed and produced by Hrishikesh Mukherjee. Gulzar’s poetry and song lyrics give Ashok Kumar’s character in the movie the “much-needed additional dimension” and the lyrical quality. For this portrayal, Ashok Kumar won Best Actor at both the National Film Awards and the Filmfare.

However, until the release of Khamoshi in 1969, where his song “Humne Dekhi Hai Un Aankhon Ki Mehekti Khushboo” (literally, “I have seen the fragrance of those eyes”) became popular, not much attention was paid to Gulzar’s lyrics. In his book Bollywood Melodies, Ganesh Anantharaman calls Gulzar’s lyrics “daringly defiant” due to their deliberate blending of senses.

Gulzar was close to Rahul Dev Burman, the music director, as a lyricist. Additionally, he has collaborated with Madan Mohan, Rajesh Roshan, Hemant Kumar, Shankar Jaikishan, Shankin Dev Burman, Laxmikant–Pyarelal, and Anu Malik.More recently, Gulzar has collaborated with A. R. Rahman on Dil Se.. (1998), Guru (2007), Slumdog Millionaire (2008) and Raavan (2010),

Shankar–Ehsaan–Loy on Bunty Aur Babli (2005), and Salil Chowdhury on Anand (1971) and Mere Apne (1971); Madan Mohan on Mausam (1975). Gulzar wrote “Ay Hairathe Aashiqui” for Mani Ratnam’s 2007 Hindi film Guru, which included music written by A. R. Rahman, drawing influence from Amir Khusrow’s “Ay Sarbathe Aashiqui.”

Another Ratnam-Rahman success, “Chaiyya Chaiyya” from Dil Se.., which was based on the Sufi traditional ballad “Thaiyya Thaiyya” with lyrics by poet Bulleh Shah, also had lyrics by Gulzar. In 2007, Rahman and Gulzar worked together again on Danny Boyle’s Hollywood film Slumdog Millionaire. Their song “Jai Ho” received the Academy Award for Best Original Song at the 81st Academy Awards.

He shared the Grammy Award for Best Song Written for a Motion Picture, Television, or Other Visual Media, alongside Rahman, for the song, which was widely praised around the world. He also authored the song Teri Raza, which was composed by Vishal Bhardwaj and sung by Rekha Bhardwaj for the Pakistani drama Shehryar Shehzadi.

About  Rahul Dev Burman :

Known by his professional name, R.D. Burman, Rahul Dev Burman (June 27, 1939 – January 4, 1994) was an Indian actor and music director who is regarded as one of the best and most prosperous in the history of the Hindi film music industry. Burman composed musical scores for 331 films between the 1960s and the 1990s, elevating the standard of ensemble music composition.

Burman collaborated extensively with renowned vocalists Kishore Kumar, Asha Bhosle, and Lata Mangeshkar. Additionally, he collaborated frequently with lyricist Gulzar, with whom he recorded some of his most famous songs. He went by the nickname Pancham and was Sachin Dev Burman, the composer’s only son.

He worked mostly as a composer in the Hindi cinema industry, however he occasionally sang backup vocals for pieces as well. His songs are still well-liked both domestically and abroad, and he influenced the subsequent wave of Indian music directors. His songs continue to inspire upcoming singers and composers even years after his passing.

Burman was born in Kolkata, India, to lyricist Meera Dev Burman (née Dasgupta), the wife of Hindi cinema composer and singer Sachin Dev Burman. His maternal grandmother gave him the nickname Tublu at first, but he eventually adopted the moniker Pancham. Some stories claim that he was called Pancham because, when he cried as a child, the sound came out in the fifth note (Pa), which is the G note on the c major scale in music notation.

Pancham is the name of the fifth scale degree in Hindustani classical music (IAST: Ṣaḍja, Ṛṣabha, Gandhāra, Madhyama, Pañcama, Dhaivata, Niṣāda). According to a separate legend, the baby’s ability to wail in five various tones led to the nickname Pancham.

Another account claims that the seasoned Indian actor Ashok Kumar gave the baby Rahul the moniker Pancham after he constantly heard him say the letter Pa.

Burman attended Kolkata’s Tirthapati Institution for his early schooling in West Bengal. In the Mumbai-based Hindi film industry, his father S. D. Burman was a well-known music director for films in the Hindi language. R. D. Burman wrote his first song, Aye meri topi palat ke aa, when he was seventeen years old. His father used the song in the 1956 movie Funtoosh. He also wrote the melody for the song Sar jo tera chakraaye when he was younger; his father used it in the Guru Dutt film Pyaasa (1957).

Ustad Ali Akbar Khan (sarod) and Samta Prasad (tabla) coached Burman in Mumbai. Salil Chowdhury was regarded as his guru as well. He assisted his father in his work and frequently performed on the harmonica in his orchestras.

Chalti Ka Naam Gaadi (1958), Kaagaz Ke Phool (1959), Tere Ghar Ke Samne (1963), Bandini (1963), Ziddi (1964), Guide (1965), and Teen Devian (1965) are a few of the well-known movies where Burman is listed as the music assistance. Hemanta Mukhopadhyay sang the hit song “Hai Apna Dil To Aawara” from his father’s film Solva Saal, which Burman also played the mouth organ for.

Burman agreed to work as the music director for the 1959 film Raaz, which was helmed by Niranjan, Guru Dutt’s assistant. The movie was never finished, though. Shailendra wrote the lyrics for this Waheeda Rehman and Guru Dutt movie. Burman completed two song recordings for the movie before it was canceled. Geeta Dutt and Asha Bhosle sang the first song, while Shamshad Begum sang the second.

Chhote Nawab (1961) was Burman’s debut feature film as an independent music director. Mehmood, a well-known comic in Hindi cinema, originally approached Burman’s father Sachin Dev Burman about the music for Chhote Nawab. S. D. Burman, however, informed that he was unavailable and turned down the offer.

Teesri Manzil, Burman’s first popular film as a music director, was released in 1966. Burman acknowledged that the film’s producer and writer, Nasir Hussain, had found him on the recommendation of lyricist Majrooh Sultanpuri. In addition, Vijay Anand claimed to have set up a recording session for Burman ahead of Nasir Hussain. Mohammed Rafi sang all six of Teesri Manzil’s songs, which were composed by Majrooh Sultanpuri.

Burman later wed Asha Bhosle, with whom he performed four duets. Majrooh Sultanpuri, a lyricist, and Burman were later signed by Nasir Hussain to work on six of his films, including Yaadon Ki Baaraat (1973), Pyar Ka Mausam (1969), and Baharon Ke Sapne (1967). Burman garnered positive reviews for his 1968 Padosan score. He kept working as his father’s helper in the interim.

About  Jeetendra :

Born on April 7, 1942, as Ravi Kapoor (pronounced /raevi/ RAV-ee), Jeetendra is an Indian actor most recognized for his roles in Hindi films. In addition, he is the chairman of Balaji Motion Pictures and Telefilms.

In Amritsar, Punjab, Jeetendra was born as Ravi Kapoor into a Punjabi Khatri family. His parents, Amarnath and Krishna Kapoor, ran a business that supplied the film industry with fake jewelry. Along with his friend Rajesh Khanna, he attended St. Sebastian’s Goan High School in Mumbai before enrolling at Siddharth College. His career took a turn for the better when he was cast as Sandhya’s duplicate in the 1964 film Geet Gaya Patharon Ne, while he was supplying jewelry to V. Shantaram.

In 1964, Jeetendra made his acting debut with Rajshree in V. Shantaram’s Geet Gaya Patharon Ne. The movie was a failure on the home front, even with strong reviews and extensive promotion. In 1967, he made his cinematic debut in Ravikant Nagaich’s spy thriller Farz, following a brief hiatus. Reimagined from the Telugu film Gudachari 116 (1966), it became a box office hit and catapulted Jeetendra to stardom. Moreover, Laxmikant-Pyarelal’s soundtrack for Farz was incredibly popular and one of the best-selling Hindi film albums of the 1960s.

Songs like “Mast Baharon Ka Main Aashiq,” “Baar Baar Din Ye Aaye – Happy Birthday To You,” and “Hum To Tere Aashiq Hain,” a duet featuring Mukesh and Lata Mangeshkar, are still in demand today. These are just a few of the hits from the album. He released three albums in 1968: Mere Huzoor, Aulad, and Suhaag Raat. Mere Huzoor could only manage mediocre business, and Suhaag Raat and Aulad also failed to make an impression.

This was altered in 1969 when he scored three consecutive hits with Jigri Dost, Waris, and Jeene Ki Raah. Chander Vohra’s Khilona, starring Mumtaz and Sanjeev Kumar, marked the start of Jeetendra’s 1970s. With accolades for their individual performances going to Kumar, Mumtaz, and Jeetendra, it turned out to be a huge hit.

Though Jeetendra began the decade with two huge hits, most of his films did not do well between 1971 and 1973. The lone exception being Nasir Hussain’s murder thriller Caravan (1971), starring Asha Parekh. In China, where it is regarded alongside the all-time greats Awaara (1951) and Noorie (1979), it was an enormous hit both domestically and internationally.

Among the best-selling Hindi cinema CDs of the 1970s was Caravan. The majority of the songs from R.D. Burman’s soundtrack, including “Chadti Jawani Meri Chaal Mastani,” “Kitna Pyara Wada Hai,” and “Piya Tu Ab To Aja,” became immediate hits and were instrumental in the film’s success.

In L. V. Prasad’s Bidaai (1974), Jeetendra portrayed the lead role alongside Durga Khote and Leena Chandavarkar. His streak of failure was broken by the movie’s box office success, which also made it one of the top 5 highest-grossing movies of that year. Following the success of his second Gulzar film, Khushboo, in 1975, he featured opposite Reena Roy in the horror movie Nagin and with Asha Parekh and Roy in the drama Udhar Ka Sindur. At the end of their respective runs, both movies were deemed blockbusters due to their outstanding performance at the ticket counters.

With Manmohan Desai’s masterpiece Dharam Veer serving as a historic smash, 1977 proved to be a huge year for Jeetendra.

About  Hema Malini :

Hema Malini, an Indian actress, director, producer, and politician, was born on October 16, 1948. She has been a member of the Lok Sabha representing the Mathura seat for the Bharatiya Janata Party (BJP) since 2014. She was elected as a member of the BJP from 2003 to 2009 and served as a member of the Rajya Sabha representing Karnataka from 2011 to 2012. She is best recognized for her work in Hindi movies, where she has portrayed both comedic and serious characters. She is also one of the most well-liked and prosperous starring actresses in mainstream Hindi cinema.

In 1963, Malini made her feature film debut in the Tamil film Idhu Sathiyam. After starring in her first lead part in Sapno Ka Saudagar (1968), Malini went on to play a number of supporting roles in Hindi films, often opposite Dharmendra, with whom she eventually got married in 1980. At first, Malini was referred to as the “Dream Girl” and she starred in the film of the same name in 1977.

She was nominated 10 more times before Baghban (2003), and she received the Filmfare Award for Best Actress for her dual performance in the comedy Seeta Aur Geeta (1972). Malini received the Filmfare Special Award for 50 Years of Outstanding Contribution to Cinema in 2019 in addition to the Filmfare Lifetime Achievement Award in 2000.

In 2000, the Indian government bestowed upon Malini the Padma Shri, the fourth-highest civilian honor. Malini received an honorary doctorate from Sir Padampat Singhania University in 2012 as a thank you for her contributions to Indian cinema. Malini presided over the National Film Development Corporation as its chair.

Malini was given the Vitasta award by Bhajan Sopori of the Sopori Academy of Music and Performing Arts (SaMaPa) in Delhi in 2006 in recognition of her services and contributions to Indian dance and culture. The Andhra Pradesh government awarded her the NTR National Award in 2013 in recognition of her contributions to Indian film. Malini has participated in philanthropic and humanitarian endeavors. Malini is a lifelong member of the International Society for Krishna Consciousness (ISKCON) at the moment.

In Ammankudi, Madras Province (now Tamil Nadu), Malini was born into a Tamil Iyengar Brahmin family, the parents being Jaya Lakshmi and VSR Chakravarti Iyengar. Her favorite topic in the Andhra Mahila Sabha, which she attended in Chennai, was history. After completing her studies at DTEA Mandir Marg through the eleventh standard, she went on to pursue her acting career.

Tum Haseen Main Jawaan was her debut movie with Dharmendra, released in 1970. In 1980, they later got married. With his first wife Prakash Kaur, Dharmendra already had two boys and two daughters, Sunny Deol and Bobby Deol, who went on to become Bollywood actors. Esha Deol (born 1981) and Ahana Deol (born 1985) are Malini and Dharmendra’s two children.

The lead in Johnny Mera Naam (1970) was portrayed by Malini. Her following roles in movies like Lal Patthar (1971) and Andaz (1971) made her a well-known actress. She co-starred with Dharmendra and Sanjeev Kumar in the 1972 movie Seeta Aur Geeta, for which she won the Filmfare Best Actress Award. She starred in a number of popular movies, including Sholay, Trishul, Dharmatma and Pratigya, and Sanyasi.[Reference required]

28 movies featuring Malini and Dharmendra together were Sharafat (1974), Sholay (1975), Jugnu, Apna Khoon, Naya Zamana, Raja Jani, Seeta Aur Geeta, Patthar Aur Payal, Charas, Azaad (1978), and Dillagi (1978).[Reference required]

In Andaz and Prem Nagar, her chemistry with Rajesh Khanna was well received.

About Dharmendra :

Born on December 8, 1935, Dharmendra Kewal Krishan Deol is an Indian actor, politician, and producer best known for his roles in Hindi films. Dharmendra, sometimes known as the “He-Man” of Bollywood, is recognized as one of the most attractive Indian performers of all time. The Indian government awarded him the third-highest civilian honor, the Padma Bhushan, in 2012. Over the course of his more than six-decade career, Dharmendra has appeared in over 300 films. He is regarded as one of the most prosperous performers in Hindi film history.

Dharmendra initially rose to fame in the middle of the 1960s with roles in movies like Ayee Milan Ki Bela, Kaajal, and Phool Aur Patthar, among others, following his small-scale cinema debut. Later on in life, he became much more famous, earning the moniker “India’s Garam Dharam” for a number of his Hindi film performances. From the late 1960s to the 1980s, he starred in a number of high-grossing Hindi films, including Ankhen, Shikar,

Aya Sawan Jhoom Ke, Jeevan Mrityu, Mera Gaon Mera Desh, Seeta Aur Geeta, Raja Jani, Jugnu, Yaadon Ki Baaraat, Dost, Sholay, Pratiggya, Charas, Dharam Veer, Chacha Bhatija, Azaad, Ram Balram, Kaatilon Ke Kaatil, Ghulami, Hukumat, Aag Hi Aag, Elaan-E-Jung, and Tahalka. Some of his most well-received roles are in Anpadh, Bandini, Haqeeqat, Anupama, Mamta, Majhli Didi,Samadhi, Resham Ki Dori, Satyakam, Dillagi, Chupke Chupke, and The Burning Train.

He acted in supporting parts in a number of popular and critically acclaimed movies starting in the late 1990s, including Rocky Aur Rani Kii Prem Kahaani, Pyaar Kiya To Darna Kya, Life in a… Metro, Apne, Johnny Gaddaar, Yamla Pagla Deewana, and Teri Baaton Mein Aisa Uljha Jiya.

For his services to Bollywood, he was granted the Filmfare Lifetime Achievement Award in 1997. He served as a representative of the Bharatiya Janata Party (BJP) in the Rajasthani Bikaner seat in the 15th Lok Sabha of India.

On December 8, 1935, Dharmendra Kewal Krishan Deol was born in Nasrali, a village in the Ludhiana region of Punjab, British India. He was born into a Punjabi Jat family to Kewal Krishan and Satwant Kaur. Dangon, next to Pakhowal Tehsil Raikot, Ludhiana, is his ancestral village.

His father was the headmaster of the local school at Sahnewal, where he was raised, and he attended Government Senior Secondary School in Lalton Kalan, Ludhiana. 1952 saw him complete his matriculation in Phagwara. Punjabi schools were then affiliated with Punjab University, Chandigarh.

 

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