Jaane Tu Song Lyrics 2025

Jaane Tu Song Lyrics Song Info:

LyricsRead presenting the “Jaane Tu Song Lyrics” is a romantic Hindi song from the movie Chhaava. The song features Vicky Kaushal and Rashmika Mandanna, with vocals by Arijit Singh. The music is composed by A.R. Rahman, while the lyrics are written by Irshad Kamil. The music video is directed by Laxman Utekar. The song captures deep emotions and is a beautiful addition to the film’s soundtrack.

Jaane Tu Song Hindi Lyrics:

जाने तू जानूं मैं
मेरी जान तू ही थी तू ही है
ये साँसें क्या साँसें
इनका आना जाना यूँ ही है

मेरी जान तू है
तू थी हाँ तू है
जाने तू जानूं मैं

तेरे होंठों होंठों पे वादे मेरे
तेरे होंठों होंठों पे बातें मेरी
चैन जैसा तेरा ख़याल धीरे धीरे आए
आप लिरिक्सरीड.कॉम पर गीत के बोल पढ़ रहे हैं

मेरे होंठों होंठों पे वादे तेरे
मेरे होंठों होंठों पे बातें तेरी
लफ़्ज़ मेरे लेना संभाल
इनमें तेरे साये

देखो क्या क्या बताएँ बागी हवाएँ
धीमे सुरों में गाएँ… हो
आप लिरिक्सरीड.कॉम पर गीत के बोल पढ़ रहे हैं

जाने तू जानूं मैं
मेरी जान तू ही थी तू ही है
ये साँसें क्या साँसें
इनका आना जाना यूँ ही है

मेरी जान तू है
तू थी हाँ तू है
जाने तू जानूं मैं

क्या दर्द है
क्या चोट है
तेरे ख़याल में हूँ
मुझको न होश है

तू साथ है मेरे
लहू में है खुशी
मैंने न टूटना
मैं वादा हूँ तुम्हारा

 

Jaane Tu Song English Lyrics:

 

Jaane Tu Jaanun Main
Meri Jaan Tu Hi Thi Tu Hi Hai
Ye Saansein Kya Saansein
Inka Aana Jaana Yun Hi Hai

Meri Jaan Tu Hai
Tu Thi Haan Tu Hai
Jaane Tu Jaanun Main

Tere Honthon Honthon Pe Vaade Mere
Tere Honthon Honthon Pe Baatein Meri
Chain Jaisa Tera Khayal
Dheere Dheere Aaye
You are reading the lyrics on lyricsread.com

Mere Honthon Honthon Pe Vaade Tere
Mere Honthon Honthon Pe Baatein Teri
Lafz Mere Lena Sanbhaal
In Mein Tere Saaye

Dekho Kya Kya Bataayein Baagi Hawayein
Dheeme Suron Mein Gaayein… Ho
You are reading the lyrics on lyricsread.com

Jaane Tu Jaanun Main
Meri Jaan Tu Hi Thi Tu Hi Hai
Ye Saansein Kya Saansein
Inka Aana Jaana Yun Hi Hai

Meri Jaan Tu Hai
Tu Thi Haan Tu Hai
Jaane Tu Jaanun Main

Kya Dard Hai Kya Chot Hai
Tere Khayal Mein Hun
Mujhko Na Hosh Hai

Tu Saath Hai Mere
Lahu Mein Hai Khushi
Maine Na Tootna
Main Vaada Hun Tumhara

 

Extra Inforamation:

About Arijit Singh:

Kakkar Singh, a Punjabi Sikh father, and Aditi Singh, a Bengali Hindu mother, welcomed Arijit Singh into the world on April 25, 1987 at Jiaganj, Murshidabad, West Bengal. During the Partition, his paternal family moved from Lahore. At a very young age, he started learning music at home. His maternal grandmother was a singer, and his maternal aunt studied Indian classical music.

His mother sang and played the tabla, and his maternal uncle played the instrument as well. He attended Raja Bijay Singh High School before continuing his education at Sripat Singh College, which is affiliated with the University of Kalyani. He claims that his parents chose to have him professionally trained since he “was a decent student, but cared more about music.” He received instruction in Indian classical music He was taught pop music and Rabindra Sangeet (songs written and composed by Rabindranath Tagore) by Dhirendra Prasad Hazari.

He began training with the Hazari brothers when he was three years old, and at nine he received a government scholarship for vocal training in Indian classical music. He grew up listening to Bengali classical music, Mozart, and Ustad Rashid Khan.[citation needed] He admired musicians like Bade Ghulam Ali Khan, Ustad Rashid Khan, Zakir Hussain, and Anand Chatterjee.

Career Beginnings (2005–2009) Singh’s musical career began when his guru Rajendra Prasad Hazari, who believed that “Indian classical music was a dying tradition,” insisted that he leave his hometown and compete in the 2005 season of Fame Gurukul, a reality show, at the age of 18. After placing sixth in the audience poll, he was eliminated.[Reference required]

Filmmaker Sanjay Leela Bhansali saw his potential during the performance and asked him to sing “Yun Shabnami,” a song that would appear in his next movie Saawariya. Singh’s version was eliminated when the screenplay was altered during production. It was never made available. The leader of Tips, Kumar Taurani, signed him for an album that was never published after the Fame Gurukul.

He won in another reality show called 10 Ke 10 Le Gaye Dil.[Reference required] In 2006, he decided to go to Mumbai to work as a freelancer, renting a room in the Lokhandwala a section of the city. He built his recording studio with the ₹1 million he won from 10 ke 10 Le Gaye Dil. After becoming a music producer, he started writing songs and performing for radio stations, news networks, and commercials.

Singh worked for music directors like Shankar–Ehsaan–Loy, Vishal–Shekhar, Mithoon, Monty Sharma, and Pritam throughout a portion of his early musical career as a music producer and programmer. He oversaw the chorus sections and vocals while collaborating with other composers, but it was while working with Pritam that he started producing and programming music on his own.

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2010–13: Aashiqui 2 and early releases
Singh began collaborating with Pritam on three movies in 2010: Action Replayy, Crook, and Golmaal 3. He began singing scratches in the Telugu cinema industry with Sandeep Chowta’s song “Neeve Na Neeve Na” from the 2010 movie Kedi. The Mithoon tune “Phir Mohabbat” from Murder 2, which Singh recorded in 2009 but released in 2011, marked his Bollywood musical debut. He was requested to sing by Pritam in the same year that he was programming the song “Raabta” from Agent Vinod (2012).

The component was kept in He was required to sing the entire piece in one of the four renditions of the song. Singh dubbed for Pritam in three additional movies that came out that year: Players, Cocktail, and Barfi!, in addition to Agent Vinod.

In 1920: Evil Returns, he also performed the song “Uska Hi Banana” for Chirantan Bhatt. In its review, Glamsham noted that Singh’s performance of “Uska Hi Banana” was high-pitched, emotionally charged, and passionate. In the movie Shanghai, he performed on the song “Duaa” by Vishal-Shekhar. The Mirchi Music Award for Upcoming Male Playback Singer went to him as a result. He received a nomination for “Phir Le Aya Dil” from Barfi! in the same category.[Reference required]

Aashiqui 2 was Singh’s debut film There he served as the lead and primary vocalist and rose to fame once the movie’s song “Tum Hi Ho” was released. He received multiple nominations and accolades for the song, including the Filmfare Award for Best Male Playback Singer. His three songs from the Telugu film Swamy Ra Ra also became well-known that year.

Singing “Dilliwaali Girlfriend,” “Kabira,” and “Ilahi” for Yeh Jawaani Hai Deewani, Singh kept on his collaboration with Pritam.[Reference required] He produced the music for the song “Balam Pichkari” from the same movie in addition to singing the encore version of “Kabira.” Singh sang “Main Rang Sharbaton Ka” from Phata Poster Nikhla Hero, which was composed by Pritam , and “Dhoka Dhadi” for R… Rajkumar.

For Shah Rukh Khan, he sang in the Vishal-Shekhar-composed song “Kashmir Main Tu Kanyakumari” from Chennai Express. In addition to performing Boss’s duet version of “Har Kisi Ko” with Neeti Mohan,[citation needed], he collaborated with Sharib–Toshi on Jackpot’s “Kabhi Jo Baadal Barse” and with Sanjay Leela Bhansali on Goliyon Ki Raasleela: Ram-Leela’s semi-classical number “Laal Ishq” that year. Singh later stated in an interview that “Tose Naina” by Mickey Virus was “closest to his heart” and that “Kabhi Jo Baadal Barse” was one of his favorite songs.

2014
Singh had the opportunity to collaborate with A. R. Rahman and Sajid-Wajid, two of his favorite music directors, in 2014. He sang the song “”Raat Bhar” and two tunes from Main Tera Hero Heropanti’s  for Sajid-Wajid. The Hindi rendition of the Kochadaiiyaan song “Medhuvaagathaan” called “Dil Chaspiya” was also dubbed by him for A. R. Rahman.

He performed three re-mixed songs: “Samjhawan” by Sharib-Toshi for Humpty Sharma Ki Dulhania, and “Hungama Ho Gaya” by Amit Trivedi  for Yaariyan. He provided the voice of Arko Pravo Mukherjee’s “Aaj Phir” from Hate Story 2, “Jiya” from Gunday, and “Mast Magan” from 2 States.[Reference required] Singh recorded two songs from Haider with Vishal Bhardwaj, and he collaborated with Sachin-Jigar on “Jaise Mera Tu” for Happy Ending.

Throughout the year, he collaborated with numerous other music directors, such as Palak Muchhal on “Tu Hi Hai Aashiqui” and Tony Kakkar on “Sawan Aaya Hai.” Over the course of the year, he sang for Mithoon on “Hai Dil Ye Mera” for Hate Story 2 and “Humdard” for Ek Villain He collaborated with Shankar–Ehsaan–Loy on “Sajde” for Kill Dil and Vishal–Shekhar on “Manwa Laage” for Happy New Year.

He performed on three tracks for Pritam Chakraborty’s Holiday, which Singh personally arranged, and two songs on Sharib-Toshi’s Zid .[Reference required] In addition to receiving two Filmfare nominations for “Suno Na Sangemarmar” and the Sufi song “Mast Magan,” Jeet Gannguli’s song Muskurane earned him the most nominations of the year. Originally sung by Mehdi Hassan and rewritten for Haider by Vishal Bhardwaj, Singh chose “Gulon Mein Rang Bhare” as his favorite song of the year.

2015: The song “Neeye Vaazhkai Enbena” from the movie marked Singh’s Tamil debut Pugazh.[67] Additionally, he contributed vocals to the dance song “Sooraj Dooba Hain” from Roy, which was penned by Kumaar and composed by Amaal Mallik. “Party Anthem of the Year” was how it was marketed. He and Alka Yagnik sang the duet “Agar Tum Saath Ho” from the film Tamasha, which was written by Irshad Kamil and composed by A. R. Rahman, during the year.

The Calendar Girls song “Khwaishein” included his collaboration with Amaal Mallik once more. In addition to working with Shreya Ghoshal to dub the Hindi version of the song “Pookkalae Sattru Oyivedungal” from Rahman’s I, Singh collaborated with Gannguli and Bobby-Imran on Khamoshiyan, performing the title track. He performed “Tu Har Lamha” for Gannguli and “Baatein Ye Kabhi Na” for Imran Bobby. He and Gannguli also worked together on the title tune for Hamari Adhuri Kahani and “Teri Khushboo” for Mr. X.

In addition to collaborating with Sachin-Jigar on “Chunar”  and Chirantan Bhatt on “Teri Meri Kahaani” , he also worked with a few up-and-coming composers, including Bann Chakraborty, Khamosh Shah, Jatinder Shah, and Manj Musik. For Ek Paheli Leela, Singh also recorded a repeat of the 1999 song “Deewana Tera” by Sonu Nigam.

Singh and Himesh Reshammiya worked together for the first time that year on the song “Baaton Ko Teri” from All Is Well. He played “Saware” from Phantom and provided the voice of Bhardwaj in Talvar’s “Shaam Ke Saaye” and Drishyam’s “Kya Pataa” Singh released his second promotional single of the year in addition to creating soundtracks With the title “Chal Waha Jaate Hain. Tiger Shroff and Kriti Sanon are featured in the Mallik-composed song” The song “Yaar Illahi – Qawwali” from the movie Katyar Kaljat Ghusali also marked Singh’s Marathi debut.

For the Bollywood movie Guddu Rangeela, Singh and Chinmayi Sripaada recorded a romantic duet called “Sooiyan” in 2015. The song was composed by Irshad Kamil and Amit Trivedi. Arijit sang “Janam Janam” with Antara Mitra, “Gerua” with Antara Mitra, and the dance number “Tukur Tukur” as the lead vocalist on the soundtrack of the 2015 movie Dilwale. The Shah Rukh Khan and Kajol music videos, which were written by Amitabh Bhattacharya and composed by Pritam, were well welcomed.

About AR Rahman:

On January 6, 1967, Allah Rakha Rahman was born in Madras, Tamil Nadu, as Dileep Kumar Rajagopala. His father, R. K. Shekhar, was a conductor and composer of film scores for Tamil and Malayalam films. He came from a Mudaliar family. At the age of four, Rahman started taking piano lessons. He played the piano to help his father in the studio.

Rahman’s father passed away when he was nine years old, and his family’s income came from renting his father’s musical instruments. Rahman was raised by his mother, Kareema (born Kashturi), and had to work to support his family while attending Padma Seshadri Bala Bhavan. As a result, he frequently missed class and performed poorly on tests. Rahman stated in a 2012 interview that his mother was called and informed to stop sending him to school and instead take him to the streets of Kodambakkam to beg.

After a year at MCN, Rahman transferred to Madras Christian College Higher Secondary School, where he was accepted due to his musical ability and started a band with his other high school students . But after talking to his mother about it, he eventually left school to become a full-time musician. Rahman created the rock group Nemesis Avenue in Chennai and played piano and arranged for bands like Roots (alongside boyhood buddy and percussionist Sivamani), John Anthony, Suresh Peters, JoJo, and Raja).

He was proficient in guitar, synthesizer, keyboard, piano, and harmonium. He was especially drawn to the synthesizer since it was the “perfect fusion of technology and music.”

Rahman received his first instruction in music from Master Dhanraj  and started playing in the orchestra of Malayalam composer M. K. Arjunan, who was also his father’s close friend, when he was eleven years old. He quickly started collaborating with other composers, including M. S. Viswanathan, Vijaya Bhaskar, Ilaiyaraaja, Ramesh Naidu, Vijay Anand, Hamsalekha, and Raj-Koti.

He also gained a scholarship from Trinity College London to attend Trinity College of Music, and he accompanied Zakir Hussain, Kunnakudi Vaidyanathan, and L. Shankar on their world tours. Rahman had helped numerous music directors play keyboard and synthesizer in his early career. Among the noteworthy pieces is the 1989 Malayalam movie Ramji Rao Speaking, in which Rahman and Sivamani produced a song “Kalikalam” for S. Balakrishnan, who is the music director.

Islamization
Rahman attended a school in Madras and received a diploma in Western classical music. When Rahman’s younger sister became gravely ill in 1984, he was introduced to Qadiri tariqa. His mother practiced Hinduism. He changed his name to Allah Rakha Rahman (A. R. Rahman) in 1989 after converting to Islam with other family members when he was 23 years old.

Career Music Selections
Rahman first wrote jingles for commercials and Indian television channels, as well as music for various documentaries. Rahman, who was still known as Dileep at the time, wrote jingles for a range of timepieces that Allwyn debuted in 1987. Additionally, he set up the jingles for a few commercials that were extremely well-known included the well-known Titan Watches jingle, in which he utilized the tune from Symphony No. 25 by Mozart.

Two happy men with a record award in their hands
At the MagnaSound Awards, Rahman (left) accepted a platinum prize. In 1992, MagnaSound published his debut film soundtrack, Roja.
Director Mani Ratnam asked him to write the music and score for his Tamil movie Roja in 1992.

When Rahman established Panchathan Record Inn, a recording and mixing studio in his backyard, in 1992, his cinematic career officially began. It would develop into India’s most cutting-edge recording studio and maybe one of Asia’s most advanced, high-tech studios. Rahman was signed by cinematographer Santosh Sivan for his second movie, Yoddha, which was directed by Sivan’s brother Sangeeth Sivan and starred Mohanlal September 1992 saw its release.

Rahman won the Best Music Director National Film Awards (Silver Lotus) at the 40th National Film Awards for Roja the next year. The inventive theme “Chinna Chinna Aasai” propelled the film’s original and dubbed versions’ critically and financially successful soundtrack. In the Chennai film industry, Rahman went on to compose and compose popular music for Tamil-language films, such as Ratnam’s politically charged Bombay, Thiruda Thiruda, and S. Shankar’s first feature, Gentleman (which featured the well-known dance number “Chikku Bukku Rayile”), as well as the urban Kadhalan.

Rahman produced popular Tamil rural folk-inspired cinema songs for Kizhakku Cheemayile and Karuththamma in collaboration with director Bharathiraaja. He also wrote music for K. Balachander’s Duet, which had several memorable saxophone themes. The 1995 motion picture Indira and romantic comedies Love Birds and Mr. Romeo also attracted notice.

Rahman’s popularity in Japan drew in a Japanese audience. His ability to blend Western classical music, Carnatic and Tamil traditional and folk music traditions, jazz, reggae, and rock music is well-known in the Tamil Nadu cinema industry and elsewhere. Bombay’s soundtrack sold 15 million copies worldwide, and “Bombay Theme” would eventually resurface in his Deepa Mehta’s Fire soundtrack as well as several compilations and other media.

It appeared in both the 2005 Nicolas Cage film Lord of War and the 2002 Palestinian film Divine Intervention. Rahman made his Bollywood debut in Rangeela, which was directed by Ram Gopal Varma. Songs and music for Dil Se.. and the percussionist Taal became successful. Inspiring Sufi mysticism “Zikr” from his soundtrack album for Netaji Subhas Chandra Bose: The Forgotten Hero, which included intricate orchestral and choral arrangements, and “Chaiyya Chaiyya” from the previous movie.

Rahman set a record of six consecutive wins in 1997 when he won a South FilmFare Award for Best Music Direction in a Tamil film and his second National Film Award for Best Music Direction for his soundtrack album for the Chennai production Minsara Kanavu. He later won the award three more times in a row. The veena, rock guitar, jazz, and Carnatic vocals were used as musical cues in the soundtrack CDs for Sangamam and Iruvar. Rahman wrote the music and hit songs for Rang De Basanti, Ashutosh Gowariker’s Swades, Alaipayuthey, and Rajiv Menon’s Kandukondain Kandukondain in the 2000s.

Hindustani-inspired tracks for the 2005 film Water. Along with producing commercially successful soundtracks with directors Mani Ratnam and S. Shankar, Rahman has collaborated with Indian poets and lyricists including Javed Akhtar, Gulzar, Vairamuthu, and Vaali (Gentleman, Kadhalan, Indian, Jeans, Mudhalvan, Nayak, Boys, Sivaji, Enthiran, I and 2.0).

The most state-of-the-art studio in Asia was created in 2005 when Rahman opened AM Studios in Kodambakkam, Chennai, to expand his Panchathan Record Inn studio. With his score for Sillunu Oru Kaadhal, he established his own record company, KM Music, the following year . Rahman earned the Just Plain Folks Music Organization|Just Plain Folks Music Award For Best Music in 2003 for his score to the Mandarin-language movie Warriors of Heaven and Earth, which he composed combining Chinese and Japanese classical music. album for his music for Varalaru (God Father), released in 2006.

He co-scored Elizabeth: The Golden Age, Shekhar Kapur’s second British film, in 2007, and his Jodhaa Akbar composition earned him a nomination for the Best Composer Asian Film Award at the Hong Kong International Film Festival. In India, Rahman’s music has been sampled for various scores, including Lord of War, Divine Intervention, Inside Man, and The Accidental Husband .

About Rashmika Mandanna:

On April 5, 1996, Rashmika Mandanna was born into a Kodava Hindu household in Virajpet, a town in the Kodagu district of Karnataka, to Suman and Madan Mandanna. Her mother stays at home while her father runs a coffee estate and a function venue in her hometown. She felt like a mother figure to Shiman, her younger sister, whom she assisted in raising.

Her family had financial troubles when she was growing up, including trouble finding a place to live and paying the rent. Mandanna claims that her parents were unable to purchase toys for her, and this experience has had a negative influence on her relationship with money.

Mandanna was a student at the Gonikoppal boarding school Coorg Public School. Because of her difficulties, she was frequently misinterpreted throughout this stage of her life difficulties communicating, which makes it challenging for her to connect with her peers. Mandanna calls her mother “my biggest strength” and acknowledges her as a stabilizing influence in her life.

Mandanna attended Bangalore’s M. S. Ramaiah College of Arts, Science, and Commerce to earn a bachelor’s degree in psychology, journalism, and English literature. Mandanna received The Times of India’s Clean & Clear Fresh Face award in 2014, which honors people who have the most potential for success in the future.  Akshay Kumar gave her the award, and as part of the winnings, she was appointed a Clean & Clear brand ambassador. She then had a brief modeling career, which she thought would help her transition into acting.

When Rishab Shetty saw that Mandanna had won a pageant in 2015, he gave her a role alongside Rakshit Shetty in his Kannada romantic comedy Kirik Party (2016). When she was first presented, she was Saanvi, a college student who wanted to become an engineer. Mandanna really related to the character’s inconspicuousness and diligent demeanor. Mandanna’s performance was lauded by Sunayana Suresh, who wrote for The Times of India that she “is easily that pin-up girl in college and she breathes her path.”

She won the SIIMA Award for Best Debut Actress for her portrayal in Kirik Party, which became one of the highest-grossing Kannada films. Mandanna later said she would have gone back to her hometown to run her father’s business if the movie hadn’t worked out. She maintained her business success with her

2017 saw the release of the romantic comedy Chamak and the action movie Anjani Putra. Karthik Kermalu of Firstpost praised Mandanna for elevating a mediocre image, while The Indian Express said she had been reduced to “a hero’s arm candy” in the latter. Chamak was nominated for Best Actress for the first time at SIIMA and Filmfare.

Mandanna during a news briefing for the 2019 SIIMA Best Actress award for Dear Comrade
In the comedy-drama Chalo, which debuted in Telugu cinema in 2018, Mandanna played opposite Naga Shaurya as a couple from various ethnic backgrounds negotiating their romance in a very segregated hamlet. She had trouble understanding Telugu at first, but with the assistant’s help, she was able to improve her diction and conversation delivery. director. Hemanth Kumar of Firstpost praised her “terrific debut” in his mixed assessments of the movie, while Stivathsan Nadadhur of The Hindu praised her comedic timing. Chalo became her fourth straight box office hit in two years.

Mandanna’s next role was opposite Vijay Deverakonda in Geetha Govindam, a romantic comedy directed by Venky Kudumula. Despite having a very little budget, the movie became her first domestic box office hit to reach ₹1 billion (US$13 million), and it was also her highest-grossing film at the time. The chemistry between the lead couple was universally praised by reviewers, but some thought the plot was repetitive.

She was nominated for Best Actress at the ceremony and won the Filmfare Critics Award for Best Actress – Telugu. Mandanna concluded the year by appearing in the Telugu film Devadas, where she was Reviewers for Sify and The Indian Express rejected it as decorative.

In the 2019 Kannada social action movie Yajamana, Darshan plays a man who tries to stop a business magnate from taking advantage of a village’s oil resources. Critics gave the movie varying reviews, with Karthik Keramalu pointing out that Mandanna and Darshan were very different in age. In any case, it turned out to be another financial success for Mandanna. Following that, she worked with Deverakonda again in the Telugu romance drama Dear Comrade, where she portrayed Lilly, a budding cricket player who encounters discrimination and sexism in the game.

According to Sashidhar Adivi of Deccan Chronicle, the role reflected the change in Telugu cinema, where actresses are now assigned more significant roles rather than just being diminished for aesthetic purposes. It also represented a change from the largely humorous roles she had previously played, and before filming began, she had to undergo five months of “rigorous physical training” to accurately mimic a cricket player’s body language. But the two couldn’t duplicate the popularity of their last movie, and it ended up doing poorly in the box office.

Additionally, a scene in which Deverakonda and Mandanna kissed drew harsh criticism from viewers; when questioned about the scene, Mandanna responded that she was doing what the script demanded of her and that a single sequence shouldn’t control the entire movie. She subsequently said that she found it difficult to handle the intense criticism she received online.

after the movie’s release. Nevertheless, Yajamana and Dear Comrade raised awareness of the Mandanna awards; at the ceremony, she received Best Actress (Critics) honors in Telugu and Kannada, respectively, along with additional Best Actress nominations in both languages.

In the action comedy Sarileru Neekevvaru, which became a top-grossing Telugu film, she started the new decade opposite Mahesh Babu. However, critics did not like her role;  The Hindu’s Sangeetha Devi Dundoo lamented that “all she gets to do is fawn over Mahesh” and that her role did not provide her with enough room to act. She later starred with Nithiin in the romantic comedy Bheeshma. The movie did well at the box office despite receiving mixed reviews from critics. Mandanna was sacked by Karthik Keramalu as a “accessory,” yet she “shines in her role,” according to Firstpost’s Hemanth Kumar. At Filmfare, she was nominated again for Best Actress (Telugu).

Commercial success and career growth (2021–present)
Mandanna played a kind professor alongside Dhruva Sarja in the Kannada action drama Pogaru (2021). Vivek M V of the Deccan Herald criticized her for playing a part in a movie that promoted damaging “stereotypes that demean women”. She had a lucrative breakthrough in Tamil cinema opposite Karthi in the action drama Sulthan, her second release of the year. She stated that she values working across languages because she does not want to consider language as a barrier but rather as a chance to develop oneself in a variety of industries.

Even so, Hindustan While M Suganth of The Times of India commended Mandanna for a “charming debut,” Haricharan Pudipeddi of The Times believed that she had been “sidelined.” She had her last performance of the year in Pushpa: The Rise, a Telugu action movie starring Allu Arjun that was both critically and commercially successful. With the help of a teacher, she acquired the Chittoor dialect of Telugu for her work as a girl in the red sandalwood smuggling gang.

Mukesh Manjunath of Film Companion remarked that her character’s brown-face was “unnecessary and ineffective” despite her doing her “best to imbue bubbliness and the innocence required in these testosterone-charged surroundings.” But according to Divya Nair of Rediff.com, the movie’s female characters were only there for aesthetic reasons.

Ordering The movie, which is one of the highest-grossing Telugu movies ever made, was a major turning point in Mandanna’s career and brought her widespread praise in India. Her performance also earned her nominations for Best Actress (Telugu) at SIIMA and Filmfare. Since then, she has attributed her access to a greater range of jobs to Pushpa: The Rise’s success.

Mandanna at a Pushpa: The Rise 2022 promotion event
Mandanna appeared in a number of unsuccessful movies the following year. Aadavallu Meeku Johaarlu, the unimpressive Telugu film opposite Sharwanand, was her first choice. In an effort to demonstrate her acting abilities, she accepted a supporting part in Sita Ramam, a love drama starring Dulquer Salmaan and Mrunal Thakur. Referring to it as one of her superior Mandanna’s willingness to take on well-written characters and the fact that she is “given the scope to play a self-centered character” were both praised by Sangeetha Devi Dundoo.

The movie defied predictions and became a box office hit, earning Mandanna her first nomination for Best Supporting Actress (Telugu) at Filmfare. Mandanna was originally scheduled to make her Hindi film debut in Mission Majnu, but due to delays, she instead made her debut with Amitabh Bachchan in Vikas Bahl’s family drama Goodbye, where she played a career-driven woman coping with the death of her mother (Neena Gupta). She was first apprehensive about taking the part because she found it challenging to portray a character who disregarded religious rites, which was very different from her own beliefs.

About Vicky Kaushal:

On May 16, 1988, Kaushal was born in a Mumbai suburbia to Indian cinema action director Sham Kaushal and housewife Veena Kaushal. Sunny, his younger brother, is an actor as well. He comes from a Punjabi Hindu household. have their ancestry in Punjab’s Hoshiarpur. According to Kaushal, he was a “normal kid who enjoyed studying, playing cricket, and watching movies.” He earned an engineering degree in Electronics and Telecommunications from Mumbai’s Rajiv Gandhi Institute of Technology in 2009 because his father wanted him to have a secure job outside of show business.

He discovered during a graduation-year industrial visit to an IT company that he wasn’t very interested in an office job and started hoping to pursue a career in movies. He attended Kishore Namit Kapoor’s acting school and performed in theater with Naseeruddin Shah’s Motley Productions and Manav Kaul’s Aranya ensemble, doing everything from stand-ins to backstage and announcements. Kaushal would attend more auditions over the course of the following two years, but he was not given any favorable possibilities. He made his acting debut in the 2011 theater performance Laal Pencil.

Working as Anurag Kashyap’s associate director on the two-part criminal epic Gangs of Wasseypur (2012) marked the beginning of Kaushal’s film career. Kaushal, who views Kashyap as his mentor, has shared happy recollections of working with him. After that, he had little parts in Kashyap’s plays. Bombay Velvet (2015), Khurana (2012), and the short film Geek Out (2013).

Early career work in independent motion pictures (2015–2016)

Kaushal at the 2015 Cannes Film Festival with the Masaan crew
The indie drama Masaan (2015), which was directed by Neeraj Ghaywan, featured Kaushal in his first major role. Both Kaushal and Ghaywan worked as assistants on Gangs of Wasseypur. Following Rajkummar Rao’s withdrawal, he was chosen through an audition. In order to portray a young man from a lower socioeconomic class who longs for a better life, Kaushal traveled to Benaras, the setting for the movie, and studied the customs of the local males.

At the 2015 Cannes Film Festival, the movie screened in the Un Certain Regard section and took up two prizes, including the FIPRESCI Award. Masaan received praise from critics and was regarded by The New York Times as a prime example of Indian cinema’s growing realism. Kaushal’s performance was described as “poignant and memorable” by Nikhil Taneja of HuffPost, and “he effortlessly conveys both the inferiority complex and the attitude of breaking through the caste cauldron” by Anuj Kumar of The Hindu. In addition to numerous honors, his performance earned him the IIFA and Screen Award for Best Male Debut and a nomination for the Asian Film Award for Best Newcomer.

The 2015 Busan International feature Festival aired Kaushal’s previous feature, Zubaan, which he had shot prior to Masaan. He played the part of a distraught man who begins to stutter following his father’s suicide. He received instruction from a speech therapist spent time with some of the doctor’s patients and observed their stammering tendencies. Kaushal struggled to break free from the role after finishing the movie and started to stutter in real life. Variety’s Justin Chang called him a “charismatic, naturally engaging talent” after his performance.

Kaushal portrays a chain-smoking, drug-addicted police officer pursuing a serial killer (played by Nawazuddin Siddiqui) in Kashyap’s psychological thriller Raman Raghav 2.0 (2016). Kaushal stayed in seclusion for five days and repeatedly recited lines from the script in an attempt to persuade Kashyap to cast him despite the unhappy and unbalanced character having little in common with his own characteristics. His health was negatively impacted by his heavy smoking and extreme dehydration.

Kaushal selected the part due to his keen to steer clear of his first two films’ typecasting. The film received a favorable reception when it debuted in the Directors’ Fortnight section of the 2016 Cannes Film Festival. The performance by Kaushal was deemed “brave” and “surprising” by Aseem Chhabra, who writes for Rediff.com.

Breakthrough (2018–2020)
In 2018, Kaushal made his breakthrough. He starred in the romantic comedy Love per Square Foot, which was Netflix’s first original movie in India. The film’s high point, according to Firstpost’s Shweta Ramakrishnan, was the connection between Kaushal and his co-star Angira Dhar. Later in 2019, it was shown at the Beijing International Film Festival. Kaushal subsequently starred in Raazi (2018), a spy thriller directed by Meghna Gulzar and adapted from Harinder Sikka’s Calling Sehmat.

The movie, which is set during the 1971 Indo-Pakistani War, depicts the actual tale of Alia Bhatt’s character, a young Indian spy, marrying Kaushal, a Pakistani army commander. He tried to portray both fragility and commanding strength in his character because he was captivated to the story’s humanity. Kaushal was praised by Meena Iyer of Daily News and Analysis for providing “the correct foil” to Bhatt’s persona.

Rajkumar Hirani’s Sanju, a biography of the problematic actor Sanjay Dutt, played by Ranbir Kapoor, was Kaushal’s greatest box office hit of 2018. Kaushal portrayed his best friend Kamli, a fictionalized version of Dutt’s many real-life pals. He spent time preparing with Paresh Ghelani, who was the main source of inspiration for the part.

India Today’s Samrudhi Ghosh stated that he “holds his own against Ranbir’s superlative performance, and shines in the funny as well as emotional scenes” . Both Raazi and Sanju were among the highest-grossing Hindi films of 2018. The latter is one of the highest-grossing Indian films, earning approximately ₹5.79 billion (US$67 million). Kaushal tied with Gajraj Rao for Badhaai Ho for the Filmfare Award for Best Supporting Actor for Sanju.

 

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