Blank Space Song Lyrics :

Watch the official lyric video for “Blank Space (Taylor’s Version)” by Taylor Swift, from ‘1989 (Taylor’s Version)’.

 

Blank Space Song Lyrics :

Nice to meet you, where you been?
I could show you incredible things
Magic, madness, heaven, sin
Saw you there and I thought
“Oh, my God, look at that face
You look like my next mistake
Love’s a game, wanna play?” Ay
New money, suit and tie
I can read you like a magazine

Ain’t it funny? Rumors fly
And I know you heard about me
So hey, let’s be friends
I’m dying to see how this one ends
Grab your passport and my hand
I can make the bad guys good for a weekend
So it’s gonna be forever
Or it’s gonna go down in flames
You can tell me when it’s over, mm
If the high was worth the pain

Got a long list of ex-lovers
They’ll tell you I’m insane
‘Cause you know I love the players
And you love the game
‘Cause we’re young, and we’re reckless
We’ll take this way too far
It’ll leave you breathless, mm
Or with a nasty scar
Got a long list of ex-lovers
They’ll tell you I’m insane
But I’ve got a blank space, baby
And I’ll write your name

Cherry lips, crystal skies
I could show you incredible things
Stolen kisses, pretty lies
You’re the King, baby, I’m your Queen
Find out what you want
Be that girl for a month
Wait, the worst is yet to come, oh, no
Screaming, crying, perfect storms
I can make all the tables turn
Rose garden filled with thorns
Keep you second guessing like

“Oh, my God, who is she?”
I get drunk on jealousy
But you’ll come back each time you leave
‘Cause, darling, I’m a nightmare dressed like a daydream
So it’s gonna be forever
Or it’s gonna go down in flames
You can tell me when it’s over, mm
If the high was worth the pain
Got a long list of ex-lovers

They’ll tell you I’m insane
‘Cause you know I love the players
And you love the game
‘Cause we’re young, and we’re reckless (oh)
We’ll take this way too far
It’ll leave you breathless, mm (oh)
Or with a nasty scar
Got a long list of ex-lovers
They’ll tell you I’m insane (insane)
But I’ve got a blank space, baby

And I’ll write your name
Boys only want love if it’s torture
Don’t say I didn’t, say I didn’t warn ya
Boys only want love if it’s torture
Don’t say I didn’t, say I didn’t warn ya
So it’s gonna be forever
Or it’s gonna go down in flames
You can tell me when it’s over (over)
If the high was worth the pain
Got a long list of ex-lovers
They’ll tell you I’m insane (I’m insane)
‘Cause you know I love the players

And you love the game
‘Cause we’re young, and we’re reckless
We’ll take this way too far (ooh)
It’ll leave you breathless, mm
Or with a nasty scar (leave a nasty scar)
Got a long list of ex-lovers
They’ll tell you I’m insane
But I’ve got a blank space, baby
And I’ll write your name

 

Extra Information :

About Taylor Swift :

Taylor Alison Swift is an American singer-songwriter who was born on December 13, 1989. Her personal lyrics and creative reinventions have made her one of the world’s best-selling musicians, with an estimated 200 million recordings sold worldwide. In addition, Swift is the highest-grossing female touring act and the first musician to become a billionaire through music. She is a well-known personality in popular culture and a topic of great public attention.

After joining Big Machine Records in 2005, Swift had her breakthrough with the country pop albums Fearless (2008) and Taylor Swift (2006). Swift gained widespread recognition thanks to her hits “Teardrops on My Guitar,” “Love Story,” and “You Belong with Me,” which were crossover smashes on pop and country radio formats.

Rock was one of her experiments on Speak Now (2010) and electronic on Red (2012), and with the synth-pop album 1989 (2014), she adjusted her image from country to pop. The hip-hop-infused film Reputation (2017) was influenced by media scrutiny. The U.S. Billboard Hot 100 number-one singles “Bad Blood,” “Shake It Off,” “Blank Space,” “We Are Never Ever Getting Back Together,” and “Look What You Made Me Do” were released alongside the albums.

Swift released the pop album Lover (2019) and the autobiographical documentary Miss Americana (2020) after joining Republic Records in 2018. She experimented with indie folk forms on the albums Folklore and Evermore from 2020, muted pop genres on Midnights (2022) and The Tortured Poets Department (2024), and, following a disagreement with Big Machine, rerecorded four songs with subtitles (Taylor’s Version)[a].

These albums produced the number-one hits in the US, “Cruel “Is It Over Now?”, “Summer,” “Cardigan,” “Willow,” “Anti-Hero,” “Fortnight,” and “All Too Well.” The Her Eras Tour (2023–2024) and the concert film that went with it went on to become the highest-grossing tour and film in history. Swift has both directed and appeared in movies, including Folklore: The Long Pond Studio Sessions (2020) and All Too Well: The Short Film (2021).

Swift had topped one million pure sales in a week for seven of her albums since their release. In addition to appearing on lists of the greatest musicians in history from Rolling Stone, Billboard, and Forbes, she was chosen the 2023 Time Person of the Year. 14 Grammy Awards, a Primetime Emmy, 40 American Music Awards, 39 Billboard Music Awards, and 23 other honors are among her achievements. MTV Video Music Awards:

She has won the IFPI Global Recording Artist of the Year record four times, the Grammy Award for Album of the Year, and the MTV Video Music Award for Video of the Year.

Life and work
Childhood

On December 13, 1989, Taylor Alison Swift was born in West Reading, Pennsylvania. She bears James Taylor’s name, the singer-songwriter. While her mother, Andrea Gardner Swift (née Finlay), briefly held a position as a mutual fund marketing executive, her father, Scott Kingsley Swift, worked as a stockbroker for Merrill Lynch. Austin, her younger brother, was going to be an actor.

Swift’s earliest memories of music that influenced her were of her opera singer mother, Marjorie Finlay (née Moehlenkamp), who sang in churches career. Swift has distant Italian and Irish ancestry in addition to Scottish, English, and German background.

Swift was raised on a Pennsylvania Christmas tree farm that her father had bought from a customer. She also spent her summers at her family’s vacation house in Stone Harbor, New Jersey, where she occasionally gave acoustic performances at a nearby coffee shop.

She is a devout Christian who first enrolled at the Wyndcroft School after attending a Montessori program administered by the Bernardine Sisters of St. Francis for preschool and kindergarten. She enrolled in Wyomissing Area Junior/Senior High School after her family relocated to Wyomissing, Pennsylvania.

She participated in Berks Youth Theatre Academy plays as a youngster, and she frequently went to New York City for voice and acting classes. She spent weekends playing at local festivals and events, and her early love of country music was influenced by Shania Twain, Patsy Cline, LeAnn Rimes, and the Dixie Chicks.She was inspired to follow her dream of becoming a Nashville, Tennessee, country music artist after seeing a documentary about Faith Hill.

When Swift was eleven years old, her mother took her to Nashville where they visited record labels and sent demo CDs of Dixie Chicks and Dolly Parton karaoke covers. All the labels rejected her, so she turned her attention to writing songs. At twelve, Swift enlisted the aid of Ronnie Cremer, a local musician and computer repairman, who helped her play the guitar and helped her write an original song. Swift and her parents began collaborating with the

Manager of talent Dan Dymtrow. Swift received his assistance in getting a song included on a Maybelline compilation CD and modeling for Abercrombie & Fitch. Following her showcase performance of original songs at RCA Records, 13-year-old Swift received an artist development deal and started taking frequent trips to Nashville with her mother.

When Swift was fourteen years old, her father moved the family to Hendersonville, Tennessee, to work at Merrill Lynch’s Nashville office, giving her the opportunity to break into the country music scene. After two years at Hendersonville High School, Swift transferred to Aaron Academy, which allowed her to homeschool and better fit her touring schedule. She received her diploma a year ahead of schedule.

2004–2008: Beginnings of a career and debut album

Swift collaborated with seasoned Music Row songwriters in Nashville, including Troy Verges, Along with Mac McAnally, Liz Rose, Brett Beavers, Brett James, and the Warren Brothers, he forged a long-lasting professional partnership. They started getting together every Tuesday afternoon after school for two-hour writing sessions. “Some of the easiest I’ve ever done,” Rose said of the sessions.

I was essentially simply her editor. She would write about her day’s events at school. What she was attempting to communicate was so obvious to her. And she would enter with the most amazing hooks.” Swift was the youngest artist to be signed by Sony/ATV Tree Music Publishing.

However, at the age of 14, she quit the company, which was owned by BMG and eventually acquired by Sony Music, citing “cut[ting] other people’s stuff” and label negligence. She was worried about that development as well. Agreements have the ability to shelve artists and recall: “I really felt that I was running out of time. I wanted to record these years of my life while they still reflected the struggles I was facing for an album.”

In 2007 Taylor Swift opened for Brad Paisley, performing both guitar and vocals. She opened shows for various country artists in 2007 and 2008 to promote her debut album. In 2005, while attending an industry presentation at Nashville’s Bluebird Cafe, DreamWorks Records executive Scott Borchetta became interested in Swift.

At the time, Borchetta was preparing to launch Big Machine Records, an independent record label. 2004 was when she had first encountered Borchetta. Her father bought a three-percent share in Big Machine, who signed her as one of their initial signings.

in the business for roughly $120,000. She started working with Nathan Chapman on her self-titled debut album. All of the album’s songs were either written by Swift or co-written by Rose, Robert Ellis Orrall, Brian Maher, and Angelo Petraglia.

Taylor Swift’s release in October 2006 saw her peak at number five on the US Billboard 200, where it remained for 157 weeks, the longest of any US release of the 2000s. With her platinum-certified debut album, Swift became the first female country music artist to create or co-write every song.

When the first single “Tim McGraw” was released in June 2006, Big Machine Records was still in its infancy. Swift and her mother assisted in promoting the song by mailing and packing copies of the CD single to radio stations around the country. She replaced Eric Church as the opening act for Rascal Flatts on a few dates of their 2006 tour, and she devoted most of 2006 to promoting Taylor Swift with television appearances and a radio tour.

Despite the initial disapproval from colleagues in the record industry for signing a 15-year-old singer-songwriter, Borchetta claimed that Swift successfully penetrated a hitherto unexplored market: teenage girls who enjoy country music.

In 2007 and 2008, four additional singles were released after “Tim McGraw”: “Teardrops on My Guitar,” “Our Song,” “Picture to Burn,” and “Should’ve Said No.” “Our Song” and “Should’ve Said No” peaked at number one on Billboard’s Hot Country Songs list, where all of them were featured. Swift became the youngest person to write and perform a Hot Country song on her own with “Our Song”.

The song “Teardrops on My Guitar” was Swift’s breakout hit on mainstream radio and the charts, reaching number one on the charts. In October 2007, Swift released The Taylor Swift Holiday Collection, her first EP, and in July 2008, she released Beautiful Eyes. As the opening act for several country music tours in 2006 and 2007, such as those with George Strait, Brad Paisley, Tim McGraw, and Faith Hill, she heavily marketed her debut album.

Swift received numerous honors for Taylor Swift. In 2007, she became the youngest recipient of the Songwriter/Artist of the Year award from the Nashville Songwriters Association. She also took home the American Music Award, the Academy of Country Music Awards’ Top New Female Vocalist, and the Country Music Association’s Horizon Award for Best New Artist.

Swift’s early musical influences included Keith Urban’s country crossover sounds, which combined elements of pop, rock, and blues, as well as 1990s female country performers like Faith Hill, Shania Twain, LeAnn Rimes, and the Dixie Chicks. She identified as a country musician, and her first four studio albums—from Taylor Swift to Red—helped her become well-known as a country pop vocalist.

In addition to pop melodies and rock elements, the albums have country signifiers like banjo, mandolin, violin, and a faint vocal twang; Speak Now is influenced by pop rock, pop-punk, and 1980s arena rock. Swift’s detractors claimed that the genre was a sign of her narrative composition rather than a musical direction, and they charged that she was the reason why mainstream country music had deviated from its historical roots.

Following the Swift selected 1980s synth-pop as a defining sound of her recalibrated pop creativity and image, drawing inspiration from the music of Madonna, Phil Collins, Annie Lennox, and Peter Gabriel, amid critical discussion about Red’s varied pop, rock, and electronic influences. The first album to go in this route, 1989, features electronic arrangements with lots of drum machines and synthesizers.

Swift’s subsequent albums built upon the electronic production; Lover incorporates a variety of elements from pop-punk, folk rock, and hip hop, while Reputation is influenced by hip hop, R&B, and EDM. While some rock reviewers saw Swift’s acceptance of a pop identity as a betrayal of her authenticity as a country music songwriter, others supported Swift as a poptimist pioneer and saw it as an essential step in her artistic development.

Her albums from 2020 Both Folklore and Evermore use orchestration, synthesizers, and drum pads to create a subdued, minimalist soundtrack while exploring alternative and indie rock and folk genres.The latter tinkers with a variety of instrumentation, asymmetric time signatures, and song forms.

The indie genres were praised by critics as a more developed expression of Swift’s talent as a singer-songwriter. The minimalist, melancholic synth-pop sound of Midnights and The Tortured Poets Department is achieved through the use of analog synthesizers, persistent bass notes, and straightforward drum machine beats.

 

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