Saadgi Toh Hamari Zara Dekhiye Song Lyrics :

Kabul Bukhari is a singer, composer and lyricist born in Karnah Kupwara Jammu and Kashmir. After his basic schooling he did his graduation and post graduation in Music from University of Mumbai.

Currently he is working as singer, composer and lyricist with multiple independent artists and labels. He has a received a big credit for reviving the folk music of Jammu and Kashmir in different languages spoken there like Pahadi, Kashmiri, Gojri, Dogri etc.

 

 

Saadgi Toh Hamari Zara Dekhiye Song Hindi Lyrics :

 

जिंदगी के सफर में बहुत दूर तक
जब कोई दोस्त आया ना हमको नज़र
हमने घबरा के तन्हाइयों से सबा
एक दुश्मन को खुद हमसफ़र कर लिया

सदगी तो हमारू जरा देखिये
ऐतबार आपके वादे पर कर लिया
बात तो सिर्फ इक रात की थी मगर
इंतज़ार आपका उम्र भर कर लिया

तेरे अदब की रूहदाद होगे हैं हम
बड़े खलूस से बरबाद होगे हैं हम
सदगी तो हमारू जरा देखिये
ऐतबार आपके वादे पर कर लिया

इश्क में उलझने पहले ही कम ना थी
और पैदा नया दर्द ए सर्र कर लिया

इश्क को दर्द ए सर कहने वालो सुनो
कुछ भी हो हमने ये दर्द ए सर्र ले लिया
अब वो निगाहों से बच के कहाँ जायेंगे
अब तो उनके मोहल्ले में घर ले लिया

सदगी तो हमारू जरा देखिये
ऐतबार आपके वादे पर कर लिया

इश्क में उलझने पहले ही कम ना थी
और पैदा नया दर्द ए सर्र कर लिया
लोग डरते हैं कातिल की परछाई से
हमने कातिल के दिल में भी घर कर लिया

तेरी सल्तनत में हैं तेरे लश्कर से घिरे हुए
तू मारे छोड़े क़ैद में डाले हम तो बस तेरे हुए

बेकरारी मिलेगी लुटेगा सुकून
चैन छिन जाएगी नींद उड़ जाएगी
अपना अंजाम सब हमको मालूम था
आप से दिल का सौदा मगर कर लिया

सदगी तो हमारू जरा देखिये
ऐतबार आपके वादे पर कर लिया

ज़िक्र इक बी इवफ़ा और सितमगर का था
आपकी ऐसी बातों से क्या वास्ता
आप तो बेवफ़ा और सितमगर नहीं
आप ने किसलिए चाँद उधार कर लिया

सदगी तो हमारू जरा देखिये
ऐतबार आपके वादे पर कर लिया

Saadgi Toh Hamari Zara Dekhiye Song English Lyrics :

 

Zindagi ke safar mein bauhat door tak
Jab koi dost aaya na humko nazar
Humne ghabra ke tanhaiyon se Saba
Ek dushman ko khud humsafar kar liya

Sadgi toh hamaru zara dekhiye
Aitbaar aapke waade par kar liya
Baat toh sirf ik raat ki thi magar
Intzaar aapka umr bhar kar liya

Tere adaab ki roohdad hogye hain hum
Bade khaloos se barbaad hogye hain hum
Sadgi toh hamaru zara dekhiye
Aitbaar aapke waade par kar liya

Ishq mein uljhane pehle hi kam na thi
Aur paida naya dard e sarr kar liya

Ishq ko dard e sarr kehne walo suno
Kuchh bhi ho humne ye dard e sarr le liya
Ab woh nigahon se bach ke kahan jayenge
Ab toh unke mohalle mein ghar le liya

Sadgi toh hamaru zara dekhiye
Aitbaar aapke waade par kar liya

Ishq mein uljhane pehle hi kam na thi
Aur paida naya dard e sarr kar liya
Log darte hain qaatil ki parchhayi se
Humne qaatil ke dil mein bhi ghar kar liya

Teri saltanat mein hain tere lashkar se ghere huye
Tu maare chhode qaid me daale hum toh bass tere huye

Beqarari milegi lutega sukoon
Chain chhin jayega neend ud jayegi
Apna anjaam sab humko maloom tha
Aap se dil ka sauda magar kar liya

Sadgi toh hamaru zara dekhiye
Aitbaar aapke waade par kar liya

Zikr ik b ewafa aur sitamgar ka tha
Aapka aisi baaton se kya waasta
Aap toh bewafa aur sitamgar nahin
Aap ne kisliye moonh udhar kar liya

Sadgi toh hamaru zara dekhiye
Aitbaar aapke waade par kar liya

Extra Information :

About Nusrat Fateh Ali Khan Sahab :

Pervez Fateh Ali Khan, commonly known by his initials NFAK, was a Pakistani singer, songwriter, and music director. His full name was Ustad Nusrat Fateh Ali Khan PP (Punjabi: نصرت فتح علʌ خان, pronounced [nʊsˈɾət̪ ˈfət̪e(ɦ) əliː ˈxɑː ). His primary genre was Sufi devotional music, specifically qawwali. Known as the “Shahenshah-e-Qawwali” (the King of Qawwali),

The New York Times ranked him as the best qawwali singer of his generation, while LA Weekly ranked him as the fourth greatest vocalist of all time in 2016. He had a reputation for having a powerful voice and could sing for hours at a time. Khan is frequently given credit for bringing Qawwali music to a global audience. Additionally, he was An expert in the classical music of Hindustan.

At the age of 15, Khan, who was born in Lyallpur (Faisalabad), had his stage debut at his father’s chelum. In 1971, he assumed leadership of the family qawwali party and contributed his distinct sargam, khayal, and rhythmic style to his family’s heritage. In the early 1980s, Oriental Star Agencies in Birmingham, England, signed him.

Khan later released albums and movie scores in the United States, Europe, India, Japan, and Pakistan. He became a well-known world music performer by collaborating and experimenting with Western musicians. He performed in more than 40 countries during his extended trip. He not only made qawwali music more widely known but also had a significant influence on modern South Asian popular music, such as Indian pop, Pakistani pop, and Bollywood and mainstream music.

Life story Early years

At a Pashtun winter wedding in Jalandhar in 1961, General Burki is seen with a child Nusrat Fateh Ali Khan, who is biting his thumb. Khan was born in 1948 in Lyallpur (present-day Faisalabad), Punjab, Pakistan, into a Muslim Punjabi family. By the end of the 12th century, Khan’s family had moved to Jalandhar from Basti Sheikh Darvesh.

There, his ancestors picked up singing and music and made it their career. He was the first son and fifth child of qawwal, musicologist, and musician Fateh Ali Khan. Khan was raised in the heart of Faisalabad with his family, which consisted of four older sisters and a younger brother named Farrukh Fateh Ali Khan.

The family’s custom of qawwali has been handed down through generations after generations for about 600 years. Khan’s father initially opposed him pursuing the family’s profession. Because he believed that qawwali singers had a low social status, he was adamant that Nusrat choose a much more respectable career route and become a doctor or engineer. But Khan was so good at and interested in qawwali that his father gave up at last.

Early professional life

After his uncle Mubarak Ali Khan passed away in 1971, Khan took over as the formal leader of the family qawwali party, which was renamed Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party. As the leader of the Qawwali party, Khan made his public debut at a studio recording broadcast during an annual music festival.

arranged by Jashn-e-Baharan, a program of Radio Pakistan. Khan sung primarily in Punjabi and Urdu, with sporadic appearances in Hindi, Braj Bhasha, and Persian. The song Haq Ali Ali, which was played with traditional instrumentation and in a traditional style, was his first big hit in Pakistan.

Khan’s sargam improvisations were used sparingly in the song. Khan gave a performance at London’s World of Music, Arts, and Dance (WOMAD) event in the summer of 1985. Between 1985 and 1988, he gave performances in Paris. At the Japan Foundation’s invitation, he made his first trip to Japan in 1987.

In Japan, he had a performance at the 5th Asian Traditional Performing Art Festival. In 1989, he also had a performance at the Brooklyn Academy of Music in New York, where he received praise from the audience in America. Khan was recruited to Peter Gabriel’s Real World label after collaborating with Gabriel on the soundtrack to The Last Temptation of Christ in 1988.

Khan worked at Zella Recording Studios with composer Andrew Kristy and producer Johnny Haynes on a number of “fusion” songs in 1989 after being commissioned by Oriental Star Agencies Ltd. in Birmingham, UK. These songs helped launch Nusrat Fateh Ali Khan and Party into the Channel 4 Christmas Special of “Big World Café.”

In 1989, Khan and his group continued the custom of Muslims singing hymns at Sikh temples by performing Sikh devotional music at a Sikh Gurdwara in Slough while they were in the UK. After it, in 1990, the BBC dedicated a segment of its Network East series to Big World Café asked Khan, Andrew Kristy, and violinist Nigel Kennedy to perform

Allah Hoo live on the show as part of their collaboration. These new fusion songs were performed on a 1990 UK tour. Khan performed as a visiting artist in the University of Washington’s Ethnomusicology department in Seattle, Washington, during the 1992–1993 school year.

In addition to the more experimental albums Mustt Mustt (1990), Night Song (1996), and the posthumous remix album Star Rise (1997), Khan produced five albums of classical qawwali through Real World. A number of additional collaborations with various Western rock artists and composers followed Khan’s experimental work for Real World, which included his work with Canadian guitarist Michael Brook.

In 1995, one of these partnerships took place when Khan partnered with collaborated on two tracks for the Dead Man Walking soundtrack with Eddie Vedder, the lead singer of Pearl Jam. Khan also sang on Jonathan Elias’s song “The Prayer Cycle,” but he passed away before the songs were finished. He brought in Alanis Morissette to accompany his unfinished vocals. Gabriel’s album Up featured Khan’s vocals on the song “Signal to Noise” in 2002.

 

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